Saturday, October 31, 2009

Halloween Shocker! Citizens of Los Angeles Saved from Another Corrupt Political Scheme!

First the DWP's attempted pay-off of the rate payers money to Brian D'Arcy - Measure 'B', despite the fix being in at City Hall, died a unnatural death at the polls.

Now the incompetence and lies of AnsaldoBreda, after were awarded a contract to build light rail cars for the MTA even after showing - repeatedly - they could not build reliable cars, could not build cars on time and could not build cars on budget - has managed to screw up a contract they had all but dictated to the MTA.

Yes, even after the professionals at the MTA said they did not want AnsaldoBreda to build the cars - the politicians still, in their never ending efforts to reward the usual special interest groups - voted to give the company a sweet heart contract. But even then, even with the usual City Hall fix put in place - AnsaldoBreda was still so staggeringly incompetent, they couldn't even meet the financial conditions of a contract written to their own specifications.

But - alas - it's not yet time to celebrate.

Just when you think yet another stake has finally been driven though the heart of another vampire - the president of the company has already suggested they may bid again now that the contract is open for bids again. And the politicians and the special interest groups will undoubtedly - once again - try and find a way to defraud the public.


MTA's rail-car contract falls apart at last minute, scuttling hundreds of jobs [Updated]
October 31, 2009 | 9:14 pm
A tentative and controversial deal to build 100 rail cars for Los Angeles County's transit system has fallen through -- taking with it plans to build a $70-million factory that would have created hundreds of local jobs.

Last-minute negotiations failed to result in a contract with AnsaldoBreda, an Italian manufacturer that is three years behind schedule on an existing contract to deliver 50 rail cars to the Los Angeles County Metropolitan Transportation Authority. Despite those delays -- and the delivery of cars that were 6,000 pounds heavier than specified -- AnsaldoBreda was positioned to win the new $300-million contract through an option with a deadline of Friday at midnight.

Just weeks ago, L.A. Mayor Antonio Villaraigosa had hailed the impending deal because the company said it would build the rail cars at a new Los Angeles factory. Villaraigosa had cited a study estimating that the plant would deliver $368 million in economic activity, including 650 factory jobs and close to 1,000 union construction jobs to build the facility. The Los Angeles County Federation of Labor had lobbied the MTA board in favor of the contract.

Today, the mayor expressed disappointment. "In these tough economic times, it was important to make every effort to bring good jobs to L.A. and simultaneously exercise due diligence to protect public funds in pursuing this contract,” Villaraigosa said in a statement. “Unfortunately after months of negotiations, at the last minute, satisfactory financial guarantees were not provided and the deal was not signed.”

Hours before the deadline, the company raised new issues -- including a cap on daily penalties for delivering rail cars behind schedule, said MTA spokesman Marc Littman. Transit-agency negotiators declined to make additional concessions and the time period to reach an agreement expired.

The deal’s disintegration has ramifications beyond the future work, said MTA board member Richard Katz, a Villaraigosa appointee. He cited an agreement under which AnsaldoBreda was going to provide two free rail cars, which sell for $3 million each, to make up for building the vehicles heavier than specified. The heavier cars forced the MTA to reinforce some bridges.

In tones that reflected the soured relations between the company and local officials, Katz called AnsaldoBreda “unprofessional and so unbusinesslike,” and said the company's inability to perform under its existing contract could result in litigation.

Officials from AnsaldoBreda could not be reached, but the company has defended its work and says it can point to the successful delivery of rail cars in other cities.

[Updated at 10:26 p.m.: In a statement, AnsaldoBreda president and CEO Giancarlo FantappiƩ said that his company had provided sufficient financial safeguards for MTA and that he regretted a deal could not be reached "despite multiple efforts to negotiate in good faith on both sides." He added: "Despite this turn of events, Los Angeles continues to represent a focal point for our strategy in America." AnsaldoBreda is eligible to take part in new bidding to build the rail cars.]

The MTA intends to rebid the work quickly and hopes to sign a contract that will result in local jobs, Katz said.

The effort to exercise the option with AnsaldoBreda has long had critics, including county Supervisor Mike Antonovich, who in a statement called the latest development “a victory for taxpayers.”

The company “failed once again to deliver on a promise made to the people of Los Angeles County," said Antonovich, who also sits on the MTA board. “Los Angeles city insiders and special interests attempted to ram through a substandard outfit, creating costly delays in the MTA's ability to seek a legitimate firm to build rail cars.”

-- Howard Blume

Sunday, October 25, 2009

For Lease - Great Gallery or Fashion Spaces!

Have five air-conditioned spaces in Downtown with very high ceilings perfect for art galleries or fashion designers looking to house production, offices and retail in one location. One dollar a foot - net lease.

bradywestwater@gmail.com

or

213-804-8396

Thursday, October 15, 2009

Final Downtown Fashion Walk MAP & LIST now on website!

Go to the Downtown Fashion Walk website - www.downtownfashionwalk.com - and print out both the list and the map for tonight's Downtown Fashion Walk.

See you there!

Wednesday, October 14, 2009

Complete List of Fashion Walk events Thursday October 15th!

OCTOBER 15th FASHION WALK EVENT LIST

Below - listed by street - are the final confirmed venues and
events of the Thursday Oct. 15th Downtown Fashion Walk in Historic
Downtown Los Angeles. The special events and pop-up stores
are usually open from 5:30 to 10 PM while the existing stores
are open from noon until 10 PM. But check the
below listings to see which stores might close early.

Then by late Wednesday night, the downloadable map will be
available at www.downtownfashionwalk.com and any updates
or last minute changes will be posted on the blog -
www.downtownfashionwalk.blogspot.com. And
print out both the list and the map to best enjoy the third
every third Thursday monthly Downtown Fashion Walk.


MAIN STREET & SIDE STREETS

Blends 125 W 4th St.
Limited Edition sneakers & Urban Clothing.
www.Blendsus.com 213-626-6606

Elmer Ave. 125 W. 4th St.
Rock and Roll Rebels do High-End Formal Wear
Ask nicely - and you might get a private sneak preview
of their Saturday show
www.Elmerave.Com 888-356-3728

SkinGraft 125 W. 4th St. #102
First public showing of the stunning gowns from invite
only runway show at MOCA during Downtown Los Angeles
Fashion Week. Also selected sale items 50% off.
www.skingraftdesigns.com 213-626-2662

Fremont 120 W. 4th St.
Not open this month but Fremont reopens November in new,
larger store on 7th St. West of Main. Classic Cool Couture
www.Fremontapparelco.Com 213-626-1756

Crewest 110 E. Winston St
Finest graffiti artist art & artist designed clothing
Closes at 6 PM tonight
www.Crewest.Com 213-627-8272

The Gallery@118 Winston 118 E. Winston Street Second floor
Designer vintage and contemporary art.
Not open this Fashion Walk - see you next month!
Call for regular hours 310-422-6231

Stelladottir 430 S. Main St.
Hand made, vintage inspired clothes & hats.
Downtown store of the year last year - this year's LA Weekly's
Best Buy Open late most nights!
www.stelladottir.com 213-623-8464

Main Street Tattoo 438 Main Street
www.mainsttats.com 213-622-0387
Open late most nights

Los Angeles Center for Digital Art 107 W. 5th St.
Digital printmaking and sales gallery along with special
exhibitions of all forms of new media, including video,
showcasing artists from throughout the world.
www.lacda@lacda.com 323-646-9427

El Nopal Press 109 5th Main St.
Fine art printing and sales of Lithographs of leading
Los Angeles, Mexican, Chicano and international artists.
www.fauxpop.com/nopalpress/ 323-581-7112

"Vava Rula" 113 W. 5th Street
One night pop-up store with pre-owned edgy designer
items, tagged and altered vintage clothes, paintings &
projections by alternative artists, unique Halloween
accessories and a photo shoot art directed by Rula
Kaliroi and styled by Vava Voom.

Billy's Cafe, Art Salon & Clothing Emporium 114 W. 5th St.
One night collection of artists, designers and creative
individuals including SOUK, inFlight, Victoria Victoria,
Jeffrey Hirsch and Sanjeev Fun of Nouveau Lifestyle.

Performing at this event will be DJ Orator, veteran DJ from Los
Angeles. He DJ'ed at KPFK 90.7 FM for 6 years and will be
one of the DJ's featured on the cover of Pro Sound magazine
this November.

Pussy & Pooch 564 S, Main St.
www.pussyandpooch.com 213-438-0900
Toys, treats - and tonight - Halloween Costumes
for your pets! Also pet couture & grooming

Upper Playground 125 E. 6th St.
Fusion of fashion with fine art by locally and nationally known artists
www.Upperplayground.Com 213-623-4300

Mr. Cartoon's Tattoo Shop 129 E. 6th St.
Urban clothes & classic tattoos. Shipment of new
items of all kinds just arrived!
www.Mistercartoon.Com 213-488-0313

Soulful Commandoe Flagship Store 121 E. 6th St. #131
Ultra Exclusive Street Apparel & Accessories Company
www.Soulfulcommandoe.com 213-291-9601

Pacific Electric Ground Floor SE Corner 6th & Main
Event produced by Hearts of Hope to benefit Children's
Hospital & SESA. Doors open at 5 PM for vendors and the runway
shows begin at 6:30 PM. Showing on the runways are di'viniti, DV2,
Kanvis and Ayanna Henderson.

Vendors include Chanelli handbags & leather jackets, African Cowboy,
Hacked Club, excess baggage, Ayanna Henderson, Karen Lewis Jewelry,
Jan the Hat Woman and a Guerilla sample sale.

There will also be a charity silent auction
featuring all the designers along with the work of fashion photographer
Nick Horne. A Live DJ will perform and there will be a raffle.

1-Man's Trash NW Corner of 7th & Main on Main St.
Hard to Vintage items and one of a kind re-worked vintage
pieces for men, women and children that have been worn
by Usher Raymond, Ellen Degeneres and Carmen Electra.
818-355-1130

Symbiotic Form NW Corner of 7th & Main on Main
Vintage inspired woman's hand bags, hats, clothes and jewelry
Also unique household wares and one of a kind gift items.
www.symbioticform.blogspot.com 213-631-6971

ZLB Main & 7th NW Corner - 7th Side of Building
Vintage Clothing from around the country and around the world
of every kind and every price.

SPRING STREET & SIDE STREETS

Continental Building 400 S. Spring
From 6pm -11 PM, at the Continental at 4th and Spring, Hit + Run
will have a pop-up show at Dub Lab’s 10th anniversary celebration
art show. Hit + Run will also provide on-site free live screen printing -
so bring your own T-shirt to be printed on or buy one there.

DJ’s PAY RAY – EROK – VALTON provide the music and
complimentary drinks will be provided by Honest Tea

Spring Arts Tower 201 W. 5th/453 S. Spring on 5th @Spring
From 5-10pm the Spring Arts Tower at 5th and Spring will host the
5th & Spring Show with Money Laundry - the only clothing line
literally made out of real money, Kablan (multiple lines from
casual to ball room gowns, Valou Designs (urban contemporary jewelry),
Francisco Devila & his custom built furniture line DEVILA 3 MUERTOS,
Gigi In Style (sexy and affordable jewelry), 35MM Clothing
(men's and women's contemporary casual clothing), Jessica Seaton
(organic, sensual jewelry), Louise Green Millinery (elegant and playful hats),
and London Manori (sophisticated, contemporary luxury jewelry).

And special guests - The Bohemian Society - will arrive directly from
their runway show at the Los Angeles Theatre (around 7:30) and
they will appear at 5th & Spring with their new line until 10 PM. This space
is adjacent to the entrance to the historic vaults of Crocker Bank - now
home to the Crocker Club.

One Night Only Event! TBA! 207 W. 5th St.

Deborah Martin Gallery 209 W. 5th St.
Powerful installation by artist Evah Hart illustrating her
Midwestern family dealing with the awkwardly
permanent transience of family.
www.deborahmartingallery.com 310-428-6464

Polyester Books (Todd/Browning Gallery) 211 W. 5th St.
Fashion, Style, Art & Design Books Vintage/Contemporary Photographs.
Literally something for literally everyone!
www.Polyesterbooks.Com 213-623-1176

KAPSOUL 6th Street between Main and Spring
Contemporary & vintage clothes, sunglasses, and a wide
selection of unique and unusual gift items. As cool as
they come!
Cell 818-693-4180

Flea 6th Street between Main and Spring
Vintage clothes, furniture, hats, design magazines, one of kind
gift items and contemporary art. Perfect place to find gifts for
the person who has everything - or nothing.
213-622-2122

apliiq 6th Street between Main and Spring
apliiq applies unique rare textiles to everyday garments. Learn
how to customize your own wardrobe and find out how to develop
your own personal style!
www.apliiq.com 323-300-6492

New York Hats 217 W 6th St
New And Old School Hats. Located in historic chocolate store
filled with Batchelder tiles. Worth a visit just for the interior!
213-228-1915 May have to close early - so hurry!

Crack Gallery 204 W. 6th St.
Crack Gallery wants to get the city hooked
on a new drug: their own blend of fashion and art.
www.crackgallery.com 213-622-3493

Shoes & Hand Bags 204 W. 4th Street
Handbags, Shoes & Accessories
213-622-3493


BROADWAY & SIDE STREETS
(Most Broadway stores close by 7 PM)

Goodwill 235 S. Broadway
VIntage/Used Everything! Huge selection!
www.Goodwillsocal.Org 213-628-1748
Closes at 7 PM

Broadway Army Store 217 W. 4th
Military & Civilian Uniforms, Cool Shirts - and much more
www.broadwayarmystore.net 213-617-8495
Close at 7 PM

Shoe Hut 529 S. Broadway
Huge Selection Of Baseball Caps, Shoes & Sneakers
www.shoehutusa.com 213-688-8310
Close at 7 PM

Chanelli Outlet 625 S. Broadway
Rarely Seen European Brand Bags and great leather jackets. Clearance Sale!
Ask about the special deals. Closes at 6 PM and pop-up version opens
at the PE lofts at 6th and Main.
Closes at 6 PM here - 10 PM at 6th and Main

Red Zone Footwear 629 S. Broadway
Excellent selection of creepers, heels and punk and rock shirts - and just
named by the LA Weekly as one of LA's best stores for its old School
Melrose Punk and Metal Fashions at Downtown prices.
http://redzone7777.googlepages.com/redzonebrandsvans1.html
213-622-8649
Closes at 7 PM

Tuesday, October 13, 2009

SUPER SECRET ELMER AVE INVITE!

Now there's no guarantee you will get an invite to the Elmer Ave - aka Elmer Av - Saturday show - but e-mail them why you should be invited - and see what happens.

And if you stop by their store on 4th Street between Main and Spring during this Thursday's Fashion Walk - you might see a few reasons why you should attend. And you can then make your case in person as to why why you should be invited.


We are very excited to invite you to a very special night.
please promptly RSVP to elmerave.topsecret@gmail.com with your credentials and full names... it is imperative to do this to get the show location, time, and show details...
hope to see you there!
luv,
jonny day


TOP SECRET!!

ELMER AVE is announcing the launch of its new collection at the
TOP SECRET Fashion Show for LA Fashion Week, October 2009.
DATE: FASHION/MARKET WEEK OCT 17, 2009

LOCATION: Downtown Los Angeles

RSVP & CREDENTIALS REQUIRED

RSVP: elmerave.topsecret@gmail.com

DETAILS WILL BE RELEASED ONCE YOUR RSVP IS CONFIRMED

POST-SHOW MELTDOWN PARTY IMMEDIATELY FOLLOWING




After several wildly successful Smashbox Shows in 2008, ELMER AVE is returning with a self produced TOP SECRET Fashion Show (invite only)...this season’s journey through a Combination of Classic, Military, and Punk, with the new ELMER AVE COLLECTION, including THE DOLL FIT (ladies), and introducing THE DELINQUENT FIT by Elmer Ave (kids).

Manufactured in Los Angeles and Tokyo, Elmer Ave has expanded its men’s Collection, as well as The Doll Fit, a fitted collection for women, and also the new Delinquent Fit, a children’s fitted version of the Elmer Ave Collection (with proceeds going to Music for Children Charity).

TOP SECRET “AN ELMER AVE FASHION SHOW” will showcase the new collections in a way only to be expected from ELMER AVE.

Elmer Ave is two clothing designers from North Hollywood, CA, with a mindset to give tailored suiting a high fashion Rock n Roll edge. Branching from their roots in skateboards,rock n roll bands, and fashion styling, Elmer Ave continually sets industry trends and sets a high quality manufacturing standard.

elmerave.com info@elmerave.com ph:1 888 356 3728

Fashion Week's Fashion Walk - Thursday October 15th!

This Thursday’s October 15th Downtown Fashion Walk, along Main, Spring and Broadway between 4th & 7th Streets, is right in the middle of everything that happens during Fashion Week!

The final runway shows at the Los Angeles Theatre - www.lafashiononbroadway.com - are that night and the after parties will be in the local bars. Designers – such as Skingraft & Bohemian Society will show their new clothes for the first time to the public at Fashion Walk after their runway shows, and other designers – such as Elmer Ave and 1-Man's Trash – will sneak preview their new lines on Fashion Walk before they have even been seen on the runway.

And even the fashionable KOGI taco truck will for the first time attend this Fashion Walk.

Runway couture (such as Skingraft, Elmer Ave, Fremont, 1-Man’s Trash, Symbiotic Form and Stelladottir) is only one part of Fashion Walk. Have your existing clothes customized on the spot at Appliq, find limited edition sneakers at Blends, shop walls of baseball caps at Shoe Hut. There are a dozen places to buy every type of hat imaginable including at the historic New York Hat store and even your pets can live in style with the finest in pet fashion from Pussy & Pouch.

Hard to find, unique purses & handbags are featured at Symbiotic Form and Chanelli, not to mention the rare sunglassses from Kapsoul and custom jewelry from many of the venues to add that perfect finishing touch. Artist designed urban wear from Crewest, Upper Playground & the Last Laugh, hip hop runway couture at Soulful Commandoe and women’s & men’s clothing of every kind from hipster fashions at Crack Gallery to classic workingmans’s Broadway Uniforms.

Finally - you can go vintage at Flea, 1-Man’s Trash, the Gallery @118 Winston, Kapsoul, ZLB and Goodwill, and these six stores will soon be joined by two more. And don't forget to check out two of LA Weekly’s October Issue’s Best Stores in Los Angeles – Stelladottir for her value priced custom clothing and Red Zone for their Downtown prices on Old School Old Melrose-style Punk & Metal Fashions. Most stores will be open noon to 10 PM, except on Broadway which will open at 10 AM and close at 7 PM.

As if all this wasn't enough, there are all the special events and individual pop-ups showcasing dozens of established brands and young and upcoming designers.

From 5-10pm the Spring Arts Tower at 5th and Spring will host the 5th & Spring Show with Money Laundry presenting along with 35MM Clothing, Hethan, Kablan, Valou Designs, Gigi In Style, Jessica Seaton, Louise Green Millinery, London Manori and the Bohemian Society.

Meanwhile, from 6pm-1am, at the Continental at 4th and Spring, Hit + Run will have a pop-up show at Dub Lab’s 10th anniversary celebration art show. Hit + Run will also provide on-site free live screen printing! Bring your own T-shirt or buy one there. DJ’s PAY RAY – EROK – VALTON provide the music and complimentary drinks are provided by Honest Tea

A silent auction benefiting the Children’s Hospital will at the Pacific Electric Building at 6th and Main from 6-10pm with four free runway shows including di’viniti, DV2, and Kanvis. Among the pop-ups in temporary residence here will be QueenKing Design, the Hacked Club (with new and vintage fashion), and Chanelli’s imported handbags and leather jackets.

Finally, the intersections of 5th and Main and 5th and Spring will have a variety of pop-ups operated by underground artists and indie designers for those who want something truly different proving that there is indeed something for everyone on Fashion Walk

Fashion Week's Fashion Walk - Thursday October 15th!

This Thursday’s October 15th Downtown Fashion Walk, along Main, Spring and Broadway between 4th & 7th Streets, is right in the middle of everything that happens during Fashion Week!

The final runway shows at the Los Angeles Theatre - www.lafashiononbroadway.com - are that night and the after parties will be in the local bars. Designers – such as Skingraft & Bohemian Society will show their new clothes for the first time to the public at Fashion Walk after their runway shows, and other designers – such as Elmer Ave and 1-Man's Trash – will sneak preview their new lines on Fashion Walk before they have even been seen on the runway.

And even the fashionable KOGI taco truck will for the first time attend this Fashion Walk.

Runway couture (such as Skingraft, Elmer Ave, Fremont, 1-Man’s Trash, Symbiotic Form and Stelladottir) is only one part of Fashion Walk. Have your existing clothes customized on the spot at Appliq, find limited edition sneakers at Blends, shop walls of baseball caps at Shoe Hut. There are a dozen places to buy every type of hat imaginable including at the historic New York Hat store and even your pets can live in style with the finest in pet fashion from Pussy & Pouch.

Hard to find, unique purses & handbags are featured at Symbiotic Form and Chanelli, not to mention the rare sunglassses from Kapsoul and custom jewelry from many of the venues to add that perfect finishing touch. Artist designed urban wear from Crewest, Upper Playground & the Last Laugh, hip hop runway couture at Soulful Commandoe and women’s & men’s clothing of every kind from hipster fashions at Crack Gallery to classic workingmans’s Broadway Uniforms.

Finally - you can go vintage at Flea, 1-Man’s Trash, the Gallery @118 Winston, Kapsoul, ZLB and Goodwill, and these six stores will soon be joined by two more. And don't forget to check out two of LA Weekly’s October Issue’s Best Stores in Los Angeles – Stelladottir for her value priced custom clothing and Red Zone for their Downtown prices on Old School Old Melrose-style Punk & Metal Fashions. Most stores will be open noon to 10 PM, except on Broadway which will open at 10 AM and close at 7 PM.

As if all this wasn't enough, there are all the special events and individual pop-ups showcasing dozens of established brands and young and upcoming designers.

From 5-10pm the Spring Arts Tower at 5th and Spring will host the 5th & Spring Show with Money Laundry presenting along with 35MM Clothing, Hethan, Kablan, Valou Designs, Gigi In Style, Jessica Seaton, Louise Green Millinery, London Manori and the Bohemian Society.

Meanwhile, from 6pm-1am, at the Continental at 4th and Spring, Hit + Run will have a pop-up show at Dub Lab’s 10th anniversary celebration art show. Hit + Run will also provide on-site free live screen printing! Bring your own T-shirt or buy one there. DJ’s PAY RAY – EROK – VALTON provide the music and complimentary drinks are provided by Honest Tea

A silent auction benefiting the Children’s Hospital will at the Pacific Electric Building at 6th and Main from 6-10pm with four free runway shows including di’viniti, DV2, and Kanvis. Among the pop-ups in temporary residence here will be QueenKing Design, the Hacked Club (with new and vintage fashion), and Chanelli’s imported handbags and leather jackets.

Finally, the intersections of 5th and Main and 5th and Spring will have a variety of pop-ups operated by underground artists and indie designers for those who want something truly different proving that there is indeed something for everyone on Fashion Walk

Brendan Mullen, Dead At 60

The last time I saw Brendan, at a late night diner in the Downtown Industrial District, we talked about our pasts, a future project we might do together - and how we were almost exactly a year apart in age.

That was almost a year ago and about a week ago as both our birthdays were coming up, I started looking for his phone number and the notes from that last talk. But I got too swamped with Fashion Walk and Fashion Week and promised myself I'd call him after all that was over.

Then in the middle of the day the calls and emails started coming, and by the time I had time to hear or read any of them - he was gone.

And for all he had accomplished in his life - one of my first thoughts was that he had died far too soon - and that he had so much more he was going to accomplish.

Below is the opening to the LA Times Obit:

atimes.com/news/obituaries/la-me-brendan-mullen13-2009oct13,0,4056471.story

latimes.com

Brendan Mullen dies at 60; founder of influential Masque punk rock club

The Hollywood venue, which opened in 1977, quickly became a crucible for emerging, anarchic L.A. groups like the Weirdos and the Germs and later X and the Go-Go's.

By Randy Lewis

October 13, 2009



Brendan Mullen, founder of the Masque punk rock club in Hollywood that helped launch the vibrantly anarchic music scene on the West Coast in the late 1970s, died Monday after suffering a massive stroke over the weekend. He was 60.

Mullen died at Ventura County Medical Center, said his companion of 16 years, Kateri Butler. The couple had been traveling through Santa Barbara and Ventura celebrating his 60th birthday, which was Friday.

"The doctors are completely perplexed," Butler said. "They can't figure out why he had a stroke -- he had none of the indicators, his cholesterol was perfect. One of the neurologists summed it up best when he said, 'Sometimes, your number is just up.' "

At the Masque, Mullen created an underground space that became a crucible for musicians and fans who felt alienated from mainstream society. Anger, frustration and self-deprecating humor flowered in the assaultive music that had been roiling in New York and London, as L.A. bands including the Weirdos, the Germs, the Dils and the Screamers turned up regularly at the Masque for some of their earliest performances.

"He was the first promoter of punk rock in this town," veteran promoter Paul Tollett of Goldenvoice Presents said Monday. "Everything started with him."

Once word spread that a space had emerged that was hospitable to punk, which at the time was a frequent target of law enforcement, more bands quickly followed. The Masque became home to X, the Go-Go's, the Dickies, the Plugz, the Flesh Eaters and many more.

Mullen, who had worked as a journalist in England before moving to the U.S., remained humble about his role.

"For the record, I never claimed to have 'started punk in L.A.,' " Mullen wrote in his book "Live at the Masque: Nightmare in Punk Alley," published in 2007. "I'd prefer the Masque epitaph to be 'Where the SoCal scene originally came together.' "



More at the above link....

Saturday, October 03, 2009

Great Post on Photographer Irving Penn at LA Observed

Over at LA Observed, resident photographer, Judy Graeme, takes the occasion of the Getty Center and it's photography collection's acquisition and exhibition of Irving Penn's 'Small Trades' series to reflect upon Irving Penn and his influence upon her life and her work.

Below is the opening to her piece - but better yet - just click the above link to LAO's Native Intelligence and read her entire post uninterrupted.

Irving Penn comes to Los Angeles

Judy Graeme • Bio • Email

At the press preview for Irving Penn's "Small Trades" exhibit at the Getty Center, I was part of a group led through the galleries by curator Virginia Heckert. I should have been paying stricter attention, but I was distracted. All I could think was that this imposing group of 252 photographs represents just part of Penn's body of work. When an important and influential artist like Penn works for as many years as he has, a lot of people are bound to be affected on many different levels. I know I have been.


Lastly - the show at the Getty runs until January 10th, 2010.

Sunday, September 27, 2009

What Do Cute Kittens And the LA Times Story - Death on the Rails - Have in Common?

This weekend's Los Angeles Times story - Death on the Rails - begins with the statistics that have long proven how riding the Metrolink - and in particular driving near it - may be hazardous to your health. The story's main writer, Doug Smith, also re-explains the well known political reasons why the agency that runs the Metrolink has been unable to internally fix its problems.

But Smith - and his team of writer Nathan Olivares-Giles, researcher Maloy Moore and data analyst Sandra Poindexter - then go beyond what we already know to give a detailed proposal about how the Metrolink system can be made safer in several specific ways - and in relatively short periods of time compared to the major long term needed improvements. The article then tackles why this has not been done in the past - and then lists the external political obstacles that have to be cleared to fix the system.

And, in this city, the Los Angeles Times is increasingly only place where this kind of intensive research and reporting and solution finding is done on a consistent basis and on a wide range of issues.

Unfortunately, the LA Times and all other print media now face an increasingly on-line future in which the expensive content the public needs to be protected from harm is often not the content that drives the necessary number of page views to keep those institutions alive.

So the the next time local critics complain about the Los Angeles Times and its on-line photo albums of cute kittens - they should remember that one day some particularly cute kitten might pay for the story that will save their lives.

Click the lnk above for the full story or you can read below the story's opening:

http://www.latimes.com/news/local/metrolink/la-me-buena-metrolink27-2009sep27,0,6617016,print.story

Death on the rails in L.A.
An analysis of crash data suggests that Metrolink could significantly reduce accidents by targeting a few particularly dangerous crossings.

By Doug Smith

September 27, 2009


Although Metrolink safety lapses drew national attention last year when 25 people were killed in a head-on collision with a freight train, many more have died from commuter trains hitting automobiles and pedestrians.

Over the 15 years leading up to the deadly crash in Chatsworth, accidents involving trains running on Metrolink's system killed 218 other people, according to a detailed examination of accident records by The Times. Through September 2008, the number killed on the Metrolink commuter rail system was 244. Hundreds more people sustained nonfatal injuries.

Critics say Metrolink leaders have not paid enough attention to safety and have done little to upgrade dangerous intersections where streets cross the tracks. In particular, the public railway has failed to adopt the sorts of safety systems and improvements developed and widely used by its sister agency, the Metropolitan Transportation Authority.

Some of the clearest examples are in the San Fernando Valley, which includes two of Metrolink's most dangerous crossings -- at Buena Vista Street in Burbank and Sunland Boulevard in Sun Valley.

For the thousands of motorists who pass through it every day, the rail crossing at Buena Vista and San Fernando Boulevard can be a hair-raising passage. The intersection is a maze of sharp turns and confusing signals that require drivers to move with split-second timing.

Twice in recent years, that timing has gone fatally wrong just as a train was bearing down fast, leading to the deaths of motorists.

On Jan. 6, 2003, Jacek "Jack" Wysocki rolled his Ford truck into the path of a Metrolink train traveling 79 mph. The 63-year-old driver was killed along with one train passenger; two train cars derailed and flipped, injuring 20 other Metrolink riders.

Exactly three years later, 76-year-old Maureen Osborn was killed after turning in front of a Metrolink commuter going 75 mph. Osborn's car was dragged a third of a mile before the train could stop.

Both tragedies could have been predicted. Buena Vista and similar Metrolink intersections had all seen previous accidents and near-collisions.

Metrolink took no responsibility

They also could have been prevented. But if any Metrolink official saw trouble coming, records show no evidence of action. After each accident, leaders of the regional rail system took no responsibility, choosing instead to invoke a standard industry convention: They blamed the deaths on motorists who "tried to beat the train."

Even after a blistering 2003 critique of the crossing's design and signal system by the National Transportation Safety Board, nothing was done to correct Buena Vista's flaws. Facing no legal obligation to follow federal recommendations, Metrolink, Burbank authorities and the California Public Utilities Commission -- the state agency responsible for train safety -- made only minor refinements.

One expert says the history behind the Buena Vista-San Fernando crossing reveals a glaring flaw in the mind-set of Metrolink leaders: Because they have focused more on building ridership than on improving safety, even hazards that could have been eliminated or sharply reduced have been allowed to remain. Only after the horrific Chatsworth crash did Metrolink upgrade the status of its safety unit so that it reported directly to chief executive David R. Solow.

"I call it the culture of denial and deflection," said Najmedin Meshkati, a professor of engineering at USC whose studies of human factors in accidents have led him to become a vocal critic of Metrolink.

That culture also stands in stark contrast to what is practiced by the MTA, the largest of five rail agencies that contribute funds to Metrolink.

That agency, based only blocks from Metrolink's Los Angeles office, also had a record of numerous accidents and deaths after initiating its Blue Line light-rail service between downtown and Long Beach in 1990. Since then, the MTA's safety section has examined the causes and retrofitted many of the worst crossings with systems to prevent accidents. As a result, the Blue Line accident rate has dropped significantly.


And, again, the rest of the story is at this link:

http://www.latimes.com/news/local/metrolink/la-me-buena-metrolink27-2009sep27,0,6617016,print.story

Friday, September 25, 2009

As The Neon Museum Leaves Downtown.... It's Time To Ask - Why?

latimes.com/news/local/la-me-neon-downtown25-2009sep25,0,973989.story

The story of why the Neon Museum - after 28 years - is leaving Downtown - for a second time (its current display at City Walk being its first defection) is long and complicated and it starts long before I was involved in the politics of Downtown.

I do recall, though, when its first small space in the Arts District in 1981 - around the corner from Joel Bloom's store, another lost landmark, much later opened in 1994.

I also remember when it was supposed to be the major public arts component of what later became LA Live – which instead became the Grammy Museum - but I don't recall how that came to be.

And by the time I started talking with the Museum of Neon Art – MONA - in the late 1990's, the clock was ticking on their then CRA subsidized space in South Park. It was clear then that with no new space to show potential donors or potential new board members - it would be impossible for MONA to raise the money needed to rent or buy a new space - or for them get further public grants to sustain themselves.

It also seemed clear, at least to me, that arts non-profits would soon need to consider developing earned income projects or joint ventures to guarantee their long term financial sustainability.

And this was before anyone realized local and regional governments will soon have the single largest part of their tax revenues going into the pensions and health benefits for retired workers who no longer work for the government, leaving less and less money for anything else.

So my idea was to find a large space, preferably underground or on the upper floors of an old building to keep the rents cheap - where there could be multiple food and beverage tenants sub-letting from the Neon Museum.

Those tenants would then each have their spaces displaying parts of the collection as their decor - and they would pay a higher than normal rent in exchange for those displays. The museum would then be able to exhibit those pieces at no cost to MONA and they would be viewable at night when they would normally not be seen – and there would a steady cash flow from those tenants.

But – best of all – the tenant’s build-outs would hopefully include all the seismic requirements, health and safety requirements and the entire HVAC infrastructure for the entire space.

Restaurants, lounges, bars, or music venues were the possible uses and their nighttime urban atmosphere would work perfectly with the neon.

Then, the museum itself, would have - besides its workshops and smaller display areas - one large and one or two smaller display rooms where - after the museum was closed – those spaces could be rented out as event spaces. This would bring in even more revenue and - again - allow the neon to be seen at night when the museum would normally be closed.

And even when I very conservatively ran the numbers - it seemed feasible that with the prices for underground spaces I was quoted - and how much the new venues - even after build-outs would pay - the museum should be at the very worst – totally rent-free – and that its net income would increase over the years as they amortized the costs.

I then found what I felt was the perfect space for the museum, introduced them to the owners and an agreement to agree was reached and MONA started to develop a business plan on how to do this project.

But soon after, the person who pushed the deal through at the company was hired away by another company, but the deal remained intact. Then the building was sold – and I was told the deal was, again, still on.

I then went on to other projects and assumed no news was good news. And it was only when I checked in about a year later to get a progress report did I discover - the deal had died, though I could never find out… why.

So I - and other people - tried again to find another Downtown home for MONA – as increasingly numbers of offers came from all over the country offering MONA free spaces. But there seemed to be a disconnect between what the Neon Museum was able to find - and afford - and what the City felt was the appropriate place for them to be. And with no new home in hand – MONA was unable to raise any funds themselves, so no deal could be made.

And the final place I proposed, I still feel can work for a museum of some kind in the longer term, but the amount of work it takes to make one of these deals happen.... makes doing them a full time job and I already have twenty other full time – and all 100% pro-bono - jobs.

So when the City displayed no interest in even looking at the space, I moved on.
And so now the Neon Museum appears to be all but gone from Downtown.

But that does not mean this has to be the end of the love story between MONA and Downtown. Unlike the lovers in the 500 Days of Summer, a happy ever after ending for us is still possible.

After all, the Neon Museum has once before abandoned us for City Walk - but still returned home – even while they faithfully retaining their presence at City Walk.

The good news/bad news for neon lovers is that as long as old buildings are torn down - there will be an endless supply of neon needing to be saved. So even if Glendale has the main museum - that does not stop MONA from having a branch in Downtown, once we finally get our act together.

And an auxiliary display only space Downtown would help the Glendale Neon Museum space as it would feed people from our much larger tourist base to the Glendale Museum.

But in order for us to do this – and other major cultural projects - we need to rethink how the City works with arts organizations - and how we are going to house our dozens of homeless museums of all kinds. Museums are important economic development engines and they are essential to our long term ability to attract tourists to Los Angeles.

The first step is for the CRA and other government agencies – and major foundations who are interested in helping non-profits become financially self-sustainable – to create a privately run non-profit corporation to do long term leases of potential future arts spaces.

Or - in today’s' depressed property market – give the corporation the ability buy large warehouses, or condo off the upper floors of buildings on Broadway - or condo off the basements of buildings – for use by arts organizations.

The non-profit corporation would then either do straight sub-leases to the arts groups or do some partial build outs first and then do the sub-leases. This will give the arts groups, museums and other cultural groups the benefit of the far lower rates of the master lease – plus lower combined infrastructure construction costs - as opposed to what it would cost an arts group to lease a smaller already subdivided and built out space.

And if for-profit entities are also given leases within the complex, their rents would help further lower the arts spaces rents – without any need for outside subsidies.

Additionally, each arts organization should be given an opportunity to develop their own earned income revenue streams – when possible – within their spaces. Lastly, all commercial tenants would also be chosen on the basis of their bringing synergistic audiences to the overall space.

However, if the corporation buys the buildings, then it can - over time -sell individual spaces to the arts groups. And if there are profit making businesses in the overall complex – the non-profits can collectively own those spaces and the rents from those spaces could help cover the costs of maintaining the entire building.

To give just one example of how this might work – say the Museum of California Design is given the opportunity to occupy such a complex – think of all the design-oriented retailers who would want to rent or own spaces next to that museum?

And then what better place would there be for a permanent home for the Architecture & Design Museum? Or LATDA - the Los Angeles Toy, Doll and Amusements Museum? Or a Fashion Museum? Or any other museum that is about… design?

So to do all this, the Corporation could buy a huge warehouse complex and give the spaces rent free to help these museums get started while at the same time leasing out other spaces synergistic uses who would want the proximity to both the museums and the other destination-type retailers. This would then cover the museum's rent.

And even before then, the Corporation can rent out the empty spaces for warehousing, if need be – and in their second phase, they can attract events and filming – which would become increasingly easier as the museums themselves start to install.

And this business plan has worked in the past.

During all this, business plans will be then developed and redeveloped on how each museum can either do a long term lease – or purchase of all or parts of the complex. And if one or more museums leave for another space – another new museum will have an already built out space ready to start the whole process all over again.

Additionally, parts of the project could even include future residential development to further help subsidize the overall project.

This way, these museums can get an initial space for very little money – while having a long term plan to increase their size and eventually buy the building – all of which will make it far easier for them to raise funds.

And by buying properties a bit off the beaten track to get affordable spaces, the design oriented retailers will also initially get very affordable rents themselves – while also still having the benefits of built-in audiences from the multiple synergistic retailers – and the growing complex of design museums.

But more on all this later.

Now it's time to get back to the story of the Neon Museum, and below is the latest news from the LA Times:


L.A.'s Museum of Neon Art is glowing, glowing, gone

The museum, which has been in downtown since 1981, is moving to larger quarters across from Americana at Brand in Glendale. The announcement has disappointed many downtown boosters.

By Cara Mia DiMassa

September 25, 2009


The Museum of Neon Art opened its doors in downtown Los Angeles in 1981 -- long before the city center was fashionable. For much of this time, the museum has moved around the area, looking for a spot large enough to show off its uniquely Southern California collection.

At its current location on 4th Street in the Old Bank district, visitors to the museum have a tendency to look befuddled after viewing the 20 pieces of neon and wonder where some of the more iconic pieces are located. The Grauman's Chinese Theatre dragon? The old Union 76 ball?

"People ask, 'Where's the Brown Derby?' " said Kim Koga, the museum's director, referring to the neon sign that once stood atop one of the city's most famous dining establishments and is now in the museum's permanent collection. "We couldn't get it in the door here."

Now, the museum has found the space it wants -- in Glendale. And many who live and work around the lofts and galleries that grew around the museum are sad to see it go.

The new space, on Brand Boulevard across from Americana at Brand, offers raw square footage as well as a chance to display some pieces on the building's exterior -- all in an area that has been experiencing its own sort of renaissance. No date has been set for the move.

The museum leaves a part of downtown that in the last decade has been transformed from an area of empty office buildings and sagging storefronts to one of L.A.'s most vibrant gallery districts, where thousands converge for the monthly art walk.

"We have this amazing relationship that won't end if they go to Glendale," said Bert Green, founder of the Downtown Art Walk and owner of a gallery at 5th and Main streets, "but I would prefer that they stay in downtown."

The announcement comes at a time when the downtown art scene is struggling, in some ways, with its own success. The Downtown Art Walk, which celebrated its fifth anniversary earlier this month, has grown to a point that some gallery owners and residents say has taken it away from its original purpose.

As many as 10,000 people now crowd downtown's streets one Thursday a month, according to some estimates. Many come to peruse the galleries, but others come to visit the area's bars, restaurants and many of the sidewalk vendors who also migrate to the area for the monthly event.

Green, who handed over the reins of the walk earlier this year, has moved his gallery's opening parties to the day before the event, and closes the gallery at 6 p.m. on art walk nights. He was getting 2,500 visitors to the small gallery at 5th and Main between 7 and 9 p.m.

"It was costing me hundreds of dollars to stay open," he said, mostly because of extra staff needed to manage the crowds, "and no one was buying anything."

Downtown boosters say the recession has hit downtown less than other artistic neighborhoods such as Culver City or Venice. While one gallery, the nonprofit Pharmaka, recently lost its space at 5th and Main, others are opening on upper floors, which lack walk-in foot traffic but sometimes offer more space and cheaper rent.

Brady Westwater, a longtime downtown activist, said that he was sad to see the neon museum leave, especially because it had hung on for so long when downtown's fortunes were on the decline. "We've now got Disney Hall, Gallery Row, Art Walk, SCI-Arc -- all of these things that have come in and are now institutions," Westwater said. "It's a tragedy that just as the theaters of Broadway are about to have their lights turned on again, the lights of the neon museum will be turned off downtown."

cara.dimassa@latimes.com

Sunday, September 20, 2009

Another Reason Why The Downtown Street Car Will Be a Success!

This Sunday's New York Times evaluates the economic impact of Phoenix's new light rail system which is based upon the same economic development model as the system being built in Downtown Los Angeles.

Their rail line connects Phoenix's different downtown districts in the way ours will link South Park's Staples Arena, Grammy Museum, LA Live and Convention Center to the almost twenty theaters in the extended Broadway theater district - and to Historic Downtown's Gallery Row, Fashion Walk and bars and restaurants before it finally connects with Bunker Hill's Music Center, MOCA, Disney Hall and Grand Avenue Project and Park.

And to the surprise of many in Phoenix, their new light rail has created a local economic boom while the rest of the city continues in a serious economic decline. The good news for LA is that riders in Phoenix are flocking to a system that has a lot fewer attractions along it than we have and it does so in a Downtown with far less density, considerably fewer tourists, a fraction of the residents and comparatively fewer potential riders of ever kind compared to Downtown LA.

Phoenix also does not have our growing concentration of high rise offices and high rise residential buildings all along their line that will attract far more rush hour commuters to LA's system - nor does it have a connection to a growing regional rail sysem.

The Phoenix light rail design is also a little less user friendly than LA's streetcar model which allows you step right from the curb into the car. The far shorter construction method of our model also means local businesses will not have to suffer through an extended construction period as they did in Phoenix (and have done in past traditional light rail projects in LA) - to reap all the economic benefits.

And the success of the Phoenix system increasingly makes it even more certain Councilman Jose Huizar's decision to champion this project will be one of the few economic development projects in Los Angeles in years to create substantial numbers of jobs awhile also raising tax revenues, benefiting both the residents and tax payers of Los Angeles.

And at a time too many economic development projects in LA - and particularly in Downtown - are still largely designed to provide high paying jobs for politically connected consultants and contractors, hopefully the success of this project - and the hoped for success of the overall Bringing Back Broadway Project - will demonstrate that with the right leadership, our city can accomplish the types of genuine economic development projects every city but LA seems to be able to regularly initiate and complete.

http://www.nytimes.com/2009/09/20/us/20rail.html?hpw

September 20, 2009
In Phoenix, Weekend Users Make Light Rail a Success

By JENNIFER STEINHAUER New York Times
PHOENIX — Among the many detractors — and they were multitudinous — who thought a light rail line in this sprawling city would be a riderless $1 billion failure was Starlee Rhoades, the spokeswoman for the Goldwater Institute, a vocal critic of the rail’s expense. “I’ve taken it,” Ms. Rhoades said, slightly sheepishly. “It’s useful.”

She and her colleagues still think the rail is oversubsidized, but in terms of predictions of failure, she said, “We don’t dwell.”

The light rail here, which opened in December, has been a greater success than its proponents thought it would be, but not quite the way they envisioned. Unlike the rest of the country’s public transportation systems, which are used principally by commuters, the 20 miles of light rail here stretching from central Phoenix to Mesa and Tempe is used largely by people going to restaurants, bars, ball games and cultural events downtown.

The rail was projected to attract 26,000 riders per day, but the number is closer to 33,000, boosted in large part by weekend riders. Only 27 percent use the train for work, according to its operator, compared with 60 percent of other public transit users on average nationwide.

In some part thanks to the new system, downtown Phoenix appears to be one of the few bright spots in an otherwise economically pummeled city, which like the rest of Arizona has suffered under the crushing slide of the state’s economy. The state, for years almost totally dependent on growth, has one of the deepest budget deficits in the country.

In the first quarter of 2009, downtown Phoenix saw its revenues increase 13 percent, while the rest of the city saw a fall of 16 percent, according to Eric Johnson, a redevelopment program manager for the city’s Community and Economic Development Department. (Businesses along the line suffered greatly during the many years of construction, it should be noted.)

“It is bringing us new customers who didn’t have time to get in the car and drive out here before,” said Joel Miller, a co-owner of Maizies Cafe and Bistro, which sits right along the rail line.

The gaggle of light rail users — including Arizona State University students, who use a line that connects its Tempe campus with the downtown campus — have given a small part of the city a new, dense connectivity that was more or less unheard of in the city two years ago. Pub crawls along the light rail have become a weekend staple, and restaurants have seen new customers from outside the neighborhood popping in off the line for brunch on the weekends.

“I think the biggest impact of the light rail is less tangible,” said Matt Poolin, owner of Matt’s Big Breakfast, a busy spot along the line, “which is that it really improves the image and perception of Phoenix’s downtown, which, although experiencing a significant renaissance in recent years, still is undergoing many improvements and changes. The light rail, largely because it is so well run and nicely appointed, is something that I think most people are really proud of and feel positive about. It is rare to hear anyone complain, despite all of the controversy.”

The controversy was largely attached to the rail line’s cost — $1.4 billion — and the relatively low ticket price — $1.75 each way, with all-day passes for $3.50 and discounted rates for longer-term passes. In a city with low density, miles of suburban sprawl to the east and west of downtown and a historical lack of passion for public transportation, the rail line, one of the nation’s 36 systems, seemed like a white elephant.

But its development over the last decade coincided with the city’s expansion of the downtown convention center, the rise of the new A.S.U. campus and the booming commercial and residential real estate market that helped fuel the growth of Phoenix, downtown and elsewhere, earlier in the decade. Since 2001, when the tax for the new rail line was approved, there has been about $5 billion in public and private investment — $3.5 billion of it private — around the site of the light rail, the city’s development agency spokesman said.

Valley Metro, the line’s operator, hopes to add 37 miles toward Glendale and northeast Phoenix, breaking ground in 2012 and completing the extensions by 2017.

“We would like to see a financial audit before they expand,” said Ms. Rhoades of the conservative Goldwater Institute, echoing those who have been critical of the expense. “We are also proponents of paying your own way, and we think the light rail remains too subsidized.”

The hooting of an oncoming sleek new train is a sound many in Phoenix are still becoming used to, but it has given the city a distinctly modern feel. “There has been this pent-up demand for downtown Phoenix to grow up,” said Nick Bastian, a real estate agent in the city who has developed a blog devoted to light rail news. “And the light rail has given people an excuse to say let’s go down there and check it out.”

MTA To Shut Down Subway Stations During Rush Hour!

Or at least that's what it seems like they are trying to do.

I can't believe the MTA is only putting in half the turnstyles in the Pershing Square & McArthur Park Stations commuters will need during the rush hour. But the worst of it is - many of those turnstyles are going to be tied up by people exiting - even though they don't need to pay fares. Yes, instead of having separate exits which do not have the ticket taking function - there will not only be too few turnstyles - but those too few turnstyles will be going in two different directions.

And even the Sheriff's officers are openly saying that whoever designed this system is (redacted) and... (redacted) - not to mention (redacted, redacted and redacted) - and that all of us who use the subway are totally (redacted) big time.

Saturday, September 19, 2009

Support Iranian Street Artists! Free Event Downtown Tonight! 6 - 9 PM

Subject: TONIGHT!

http://www.crewest.com/

Join us tonight, Saturday, Sep. 19 from 6-9 pm
A very special Live event at Crewest:

Artists from L.A. will create work LIVE in the spirit of exchange with the artists in FROM THE STREETS OF IRAN.
Participating artists include:
Man One, ABCNT, John Carr, Contra, Karen Fiorito, Amitis Motevalli, O and Petal.

Come and watch some of the best local urban artists at work.

From The Streets Of Iran runs through September 26th @ Crewest

http://www.crewest.com/

110 Winston St.
Los Angeles, CA 90013
213627-8272

Thursday, September 17, 2009

Four New Boutiques Open Since Last Fashion Walk

www.downtownfashionwalk.com

Now while all four of these stores - which will be open on tonight's Fashion Walk from 5:30 - 10 PM - have opened in the past month - which comes to about one new store a week - all but one have participated in past Art and/or Fashion Walk events.

First - KAPSOUL - had a sneak preview at last month's first Fashion Walk - and had a line out the door of eager buyers, despite their then limited selection. Now, though, the store is fully stocked

KAPSOUL 6th Street between Main and Spring
Cell 818-693-4180 Contemporary & vintage clothes, sunglasses

Next, 1-Man's Trash has long been located in Downtown Los Angeles but only recently has been an exhibitor at past Art and Fashion Walks. This, then, will be the Fashion Walk debut of their new store which will feature Erik Dixon's one of a kind re-worked vintage pieces for men, women and children. Among those who have worn his line are Usher Raymond, Ellen Degeneres, and Carmen Elektra. Also featured in the store is a carefuly curated selction of vintage clothing.

1-Man's Trash 651 S. Main Street Vintage inspired, re-made vintage And vintage clothing 818-355-1130

Christina Wheeler has also shown at past Downtown Art Walks before taking the plunge and opening her own store. She has been primarily showing her handbags and hats - but has recently returned to her roots as a clothing designer.

Symbiotic Form
www.symbioticform.blogspot.com 651 Main Street
213-631-6971 Vintage inspired woman's hand bags, hats, clothes and jewelry

In contrast, the all vintage store - ZLB - just appeared a couple weeks ago at 7th and Main with a selection of unusual vintage designs culled from the owner's purchases all over the US - and Europe.

ZLB Main and 7th NW Corner on 7th Side of Building Vintage Clothing of every kind and every price

We will have more on each of these stores and their owners shortly - but besides the fact the are few - if any - retail districts where no clothing stores are closing - I suspect that only on Downtown's Fashion Walk are new stores opening on a regular basis.

What Do Vegas Show Girls And Women On Fashion Walk Have In Common?

www.downtownfashionwalk.com

They all have or have had an opportunity to wear a hat created by Jill Pfieffer. One of the many unique character you will meet on the Downtown Fashion Walk, Jill will be showing some of her one of a kind hats at the Spring Arts Tower at 5th and Spring.

Below is a short bio of a long life:

Biography

Jill started her life as an artist early, with private fine art lessons at the age of 7 and started selling portraits at the age of 10. She has pursued her vocation all of her life and spent many years working as a Costume Designer, Milliner, Wardrobe Master and Stylist.

She has worked in Las Vegas for the Luxor Hotel, the Excalibur Hotel, the Sands, the Desert Inn, the Las Vegas Hilton, the Stardust, and Circus Circus, among others, in Reno for Bally’s, in Beverly Hills and Los Angeles, creating costumes, headdresses, and other wardrobe for shows such as “Lido de Paris”, “King Arthur’s Tournaments”, “Starlight Express”, “Viva Las Vegas”, “Sid and Marty Kroft’s Comedy Kings”, “Beach Blanket Babylon”, “Splash”, and “Jesus Christ Superstar”.

After settling in Los Angeles, Jill started creating one-of-a-kind cigar box purses and custom hats and sold them in the LA Garment Dist. for 5 years, where people from all over the world bought both the purses & hats.

A life-long educator, as well as an artist, Jill has taught at UCLA, in Las Vegas and Los Angeles, is still teaching millinery and has just started teaching painting.

Alternative Couture In Alternative Art Space At Fashion Walk!

www.downtownfashionwalk.com

On tonight's Fashion Walk, Crewest - one of the world's leading graffiti galleries - will host Nicole Moan Ceramic Corsets(Ceramic Corsets) and ethercult couture (custom apparel.

Both lines of clothing that look equally at home in an art gallery as they do on the human body. Also on the display in the gallery are examples of Iranian street graffiti. You can see examples at the Crewest website:

http://www.crewest.com/

And below is an interview with Steve Sattler of the Ether Cult.

Weapons of the Ether Cult
Interview: Steven Sattler
by Nathan Cartwright


Steven Sattler is an Idaho grown, Anarchist prone artistic mega-beast. From dodging the draft by starving himself to challenging skinheads in small towns in his white washed state, he is a true warrior of visual persuasion. He stands for chaos, but has an innate ability to make it all look so good in his mixed media compositions. Recently, I had the privilege to visit his studio and chat about his amazing creations and ideas about a New World Order.

Nathan: Steven, I often say there are two types of artists who thrive in The Hive; the illustrators and the mad scientists. Your work is definitely in the latter category. What influences have led you to the Sattler I know?

Steven: An early realization of the horrific state of adult life led me to art as a means of creating alternate realities. In grade school, comic books and sci-fi led me to the study of the aryan mythos, the possibility of real supermen was intriguing. Then I was introduced to surrealism by a nun who gave me a holy card that was by Dali, (I’m sure that she knew not what poisons she had let loose), eventually the army tried to send me to my death, making me a permanent enemy of the state. Finally zen and Krishnamurti put me on a quest for absolute freedom, something that appealed to my inherent non-conformist bent. My ongoing influences would be surrealism and it’s offshoots, except the current drivel that is pop surrealism, (I’m sure Breton is spinning in his grave), and French academic art and teachings, particularly J.L. Gerome. 200

NC: What are some of the obstacles you faced growing up in (the inland northwest) as an artist?

Steven: In the northwest, if you call yourself an artist you had better be able to paint signs or do horse portraiture or will likely get shot. They don’t hold well to the con game that is modern art. Growing up in a hot rod environment, an artist was the guy who could pinstripe or do flames. My dad’s advice was “you have a good eye for detail, you should be a forger or a counterfeiter”.

NC: Tell me about the Ether Cult.

Steven: Ethercult is an attempt to subvert the capitalist spectacle by using its own means against it. It’s a design collective using art as a weapon to confront the public in unexpected places, through clothing, furniture, graphic design, sounds, etc, anywhere that we can produce unsettling, unsellable, original statements of revolt. A current example would be ethercult couture’s invisible red carpet ensemble, an outfit so offensive it would have to be pixelated from head to toe. Ethercult is attempting to be a community college of pataphysics. A training ground for sedition. Our motto is ” We don’t want your money, your time, or your beliefs. Everything’s perfect, stay as you are.”

NC: How does art and economy tie together with this idea?

Steven: The only way to be avant-garde today is to remove money entirely from the art equation.

NC: Any new secret projects lined up in your mad scientist laboratory?

Steven: The main things would be a chess set reflecting the modern human beast (each piece being life sized mixed media sculptures), a new line for ethercult couture, a piece for next months bee-rotica show at the Hive entitled ” The persecution of Dennis Hopper in the 11th dimension” another anti celebrity rant, and continuing to hone my art skills, the better to realize any inspiration that comes my way.

Downtown Fashion Walk Starts 5:30 Tonight!

Over thirty fashion stores, events and free music open from 5:30 PM - 10 PM tonight along Main, Spring and Broadway between 4th and 7th!

All the details and the full map are at:

www.downtownfashionwalk.com

With updates at:

www.downtownfashionwalk.blogspot.com

Wednesday, September 16, 2009

Downtown Fashion Walk Final Map and Schedule Now on Website! Thursday Sept. 17th!

Every you want to know about Fashion Walk is either on the website www.downtownfashionwalk.com - or on the new Downtown Fashion Walk blog - www.downtownfashionwalk.blogspot.com

Join us between 5:30 PM - 10 PM this Thursday September 17th, 2009

Tuesday, September 15, 2009

Downtown Fashion Walk Now Has Its Own Blog!

From now on most of the posts about the Downtown Fashion Walk be be appearing on... the Downtown Fashion Walk blog.

www.downtownfashionwalk.blogspot.com

Friday, August 28, 2009

LOOKING FOR CREATIVE RETAIL AND RETAIL CONCEPTS!

Downtown LA needs creative retailers! We need visionaries who want to reinvent the future of retail in the 21st Century. So – do you know how brick and mortar can compete with cyber-stores? Do you know how department stores can reinvent themselves?

Do you have the next great concept for a fashion, book, art, furniture, speciality, collectibles or - whatever - store?

Well - if you have the right ideas - very soon, we will have a place where you can make them happen in Downtown Los Angeles.

Brady Westwater

bradywestwater@gmail.com or 213-804-8396

Wednesday, August 19, 2009

Downtown Fashion Walk Map Now Up!

A very slightly updated version will be posted tomorrow morning! Just hit were to go!

http://downtownfashionwalk.com/main.html

www.downtownfashionwalk.com

Downtown Fashion Walk Store and Event List!

Until we finish getting the events up on Downtown Fashion Walk the website, here are about 90% of the stores, pop-ups and special events that will be held Thursday August 20th. SO - UNTIL FURTHER NOTICE - THIS WILL BE THE MOST UPDATED LIST OF EVENTS. But final list and map will be on website Wednesday night.

And last few additions will be added to this this site by afternoon Wednesday - and they will be listed as an UPDATE - and a map to everything will be posted on the website on Wednesday night. Copies of the map will also be available up at most of the stores listed on Main and Spring Streets starting at 11 AM on Thursday morning.

Entertainment and Special events are listed letters.

Downtown Fashion Walk – Where To Go

Thursday August 20th, 2009

5:30Pm – 10 PM (thought most stores will be open by noon)

Stores & Events Listed By Street

MAIN STREET & SIDE STREETS

1. M'ouments (Store)
125 W. 4th St. #106 (Enter Off Alley)
213 626 6606
www.mouments.tumblr.com
Former Comme des Garcon Guerrilla Store now
M'ouments, carrying brands like Comme des Garcon,
Unholy Matrimony and Sonia Boyjian

2. Blends (Store)
125 W 4th St
213 626 6606
www.Blendsus.Com
Limited Edition sneakers &
Urban Clothing

3. Elmer Ave. (Store)
125 W. 4th St.
888 356 3728
www.Elmerave.Com
Rock and Roll Rebels Designing
High-End Formal Wear

4. Skin.Graft (Store)
125 W. 4th St. #102
213 626 2662 www.skingraftdesigns.Com
Raw underground Style combined with
Sleek high-end couture

5. Fremont (Store)
120 W. 4th St.
213 626 1756
www.Fremontapparelco.Com
Classic Cool Couture

6. 621 Main Street
Pop-up store TBA

7. Crewest (Store)
110 E. Winston St.
Los Angeles
213 627 8272
www.Crewest.Com
Stellar graffiti artist art & clothing

8. The Gallery@118 Winston
118 E. Winston Street
Second floor
Vintage, N.OM by Natalia Benson earrings,
& clothing designed by Flock.

9. Stelladottir (Store)
430 S. Main St.
213 623 8464
www.stelladottir.com
Hand made, vintage inspired clothes and hats.
Last year’s Downtown store of the year.

10. Main Street Tattoo
438 Main Street
213-622-0387
www.mainsttats.com

A. 7 & 10 PM screening of Project Runway
Patio of CafƩ Bermuda
464 S. Main Street
213-622-6644

11. Pussy & Pooch (store)
564 S. Main St
213 438 0900
www.pussyandpooch.com
Pet Couture & Grooming

12. Upper Playground (Store)
125 E 6th Street
213 623 4300
www.Upperplayground.Com
Fusion of fashion with fine art
with locally and nationally known artists

13. Mr. Cartoon's Tattoo Shop (Store)
129 E 6th St
213 488 0313
www.Mistercartoon.Com
Urban clothes & classic tattoos

14. Soulful Commandoe Flagship Store (Store)
121 E 6th Street, #131
213 291 9601
www.Soulfulcommandoe.Com
Ultra Exclusive Street Apparel & Accessories

15. Pacific Electric Ground Floor
Corner 6th & Main
Sample & Clearance Sales
Multiple Fashion District name Brands

16. PE Annex (pop-up)
618 Main Street
Pop-up store TBA

17. 630 Main (pop-up store)
Rhys Dwfen
www.rhysdwfen.com
A women’s contemporary collection of luxurious knit

18. 632 Main (pop-up store)
Jenny Han
www.jennyhan.com
A contemporary-chic collection of sweet and sexy pieces

19. Known Gallery (store)
651 Main Street
http://www.knowngallery.com/
Urban Art & Urban clothes

20. 1-Man’s Trash (store)
651 S. Main Street
Vintage inspired couture, designer vintage.

21.TSL Armor Jewelry (store)
651 Main Street
Urban Jewelry
http://www.knowngallery.com/blog/post/tsl-armor-releases-their-new-line-for-agenda

22. Symbiotic Form (store)
651 Main Street
213.631.6971
vintage inspired woman's hand bags, hats, clothes and jewelry.
www.symbioticform.blogspot.com


SPRING STREET & SIDE STREETS

22. Ed Hardy (Store)
433 S Spring St
213 627 3932
www.edhardyshop.com
Vintage-styled Tattoo Wear
Only Ed Hardy Outlet Store!

23. Phyllis Stein Art (store)
207 W. 5th Street
213-622-6012
323-896-7465 cell
http://www.phyllissteinart.com/
Todd Goldman clothes, Molly Schiot clothes
and paintings by David Thomas.

24. Polyester Books (Store)
(Todd/Browning Gallery)
211 West 5th Street
213 623 1176
www.Polyesterbooks.Com
Fashion, Style, Art & Design Books
Vintage/Contemporary Photographs

B. You’re The Top
Spring Arts Tower Main Space. One Night Event!
Multiple hat dealers & designers, vintage hats, book signing
by Project Runway’s Kate Hahn and Andrae Gonzalo.
201 W. 5th Street - 5th & Spring
http://www.deepglamour.net/deep_glamour/2009/08/party-with-deepglamour-on-august-20.html

25. TBA (pop-up)
109 W. 6th
TBA

26. Takashi Masuda (store)
110 W. 6th Street
Cell 818-693-4180
Contemporary & vintage clothes, sunglasses

27. Flea (store)
112 W. 6th
213-626-2122
Vintage clothes, furniture
(needs to close by 5 PM today)

28. Salon on 6 (store)
111 W. 6th
TBA Music, Fashion & Make-up
213-623-5033

29. Apliiq (Store)
114 W 6th Street
323 300 6492
www.apliiq.com
Apliiq applies unique rare textiles to
your everyday garments.

30 New York Hats (Store)
217 W 6th St
213 228 1915
New And Old School Hats
Located in historic chocolate store
filled with Bachelder tiles!

31. Crack Gallery (Store)
204 W 6th St
213 622 3493
www.crackgallery.com
Crack Gallery wants to get the city hooked on a new drug:
their own blend of fashion and art.

32. Shoes & Hand Bags (store)
204-½ W. 4th Street
213 622 3493
www.crackgallery.com
Handbags, Shoes & Accessories

BROADWAY & SIDE STREETS
(some of these stores may close early)

33. Goodwill (Store – Fashion Walk)
235 S Broadway
(213) 628-1748
www.Goodwillsocal.Org
Vintage/Used/Huge Selection!

34. Uniforms (Store – Fashion Walk)
217 W 4th St
213 617 8495
http://www.broadwayarmystore.net/ArmyStore/Default.htm
Military & Civilian Uniforms, Shirts

35. El Fino (Braodway Walk)
412 – 416 Broadway
Boot & Denim & Western Shirt Sale (Broadway/Fashion Walk store)
Going Out Of Business Sale!

36. Judson Building (Broadway Walk)
436 S. Broadway
Shoes/Men’s Clothes

C. American Mart (Store - Fashion Walk)
437 S. Broadway
OVER TWENTY CREATIVE VENDORS!
Fashion, Art, Collectibles, Jewelry!

37. Shoe Hut (Store – Fashion Walk)
529 S Broadway
213 688 8310
www.shoehutusa.com
Huge Selection Of Baseball Caps
& Shoes

38. Blue Jeans (store – Broadway Walk)
553 S. Broadway
Men’s Clothing, Boots, Hats
Large selection

D. Comedy Walk!
Three Hours of Free Comedy!
Entrance to Broadway Spring Arcade
542 S. Broadway
www.comedywalk.com

30 New York Hats (Store)
217 W 6th St
213 228 1915
New And Old School Hats
Located in historic chocolate store
filled with Batchler tiles!

39. Chanelli Outlet
625 S. Broadway
Rarely Seen European Brand
Bags. Clearance Sale! Ask to see
the bags in the rear.

40. Red Zone Footwear (Store – Fashion Walk)
629 S Broadway
213 622 8649
http://local.yahoo.com/info-20366907-red-zone-footwear-los-angeles?tab=reviews#reviews
Excellent selection of creepers, heels and punk and rock shirts

41. Pop-Up Store – TBA
624 S. Broadway

E. Palace Theater - Lobby
630 S. Broadway
Steve Henao fronts the fast rising band –
Katerpillar! Starting at 7 PM.
Act Right Gear will also have shirts

Wednesday, August 12, 2009

Los Angeles Times Website Redesign A Home Run!

I just got back from the gym to find a IM from Dakota over at Curbed LA telling me to look at the LA Times website. And... my verdict is - the new design is a four bagger.

The design is far easier to read and far better organized. I'd go into my detail except.... I'm too busy writing my own website for next weeks' Downtown Fashion Walk....

Wednesday, August 05, 2009

Chief Bratton To Resign From LAPD!

Chief Bratton is about to leave Los Angeles after reforming and revitalising the Los Angeles Police Department and dropping crime and murder levels to far below what they were when he took over the department.

The first question is - what happens next?

The good news is that after Bratton left New York - the team he had built continued to reduce crimes levels - every year (except for a spike in murders last year) and this year - in a decline economy and with fewer cops, not only is overall crime still dropping, but even murders have resumed their decline in New York.

The second question is - will the Mayor and the City Council select the best person for the job - or will they allow politics to interfere - as has happened in the past with disastrous results.

Here is part of the LA Times story linked to above:

Los Angeles Police Chief William J. Bratton to step down
8:59 AM | August 5, 2009
William J. Bratton is expected to announce plans to resign as chief of the Los Angeles Police Department today to take over as head of a private security firm, sources have told The Times.

Bratton is expected to announce his decision at a noon press conference today. He did not return several calls seeking comment.

The decision by Bratton, who has dramatically reshaped the LAPD and pushed down crime rates since taking over in 2002, took the city’s political and police leadership by surprise.

As Bratton flew back to Los Angeles from a personal trip to New York Tuesday night, aides to his boss, Mayor Antonio Villaraigosa, said Villaraigosa knew nothing of the planned departure.

Likewise, members of the civilian panel that oversees the LAPD, as well as the deputy and assistant chiefs whom Bratton entrusts with the day-to-day operations of the department, were caught off-guard when asked about Bratton’s imminent resignation.

Bratton, 61, leaves with more than three years remaining in his second term. In Los Angeles, he cemented his reputation as one of the country’s leading law enforcement minds.

As he did during a short stint as head of the New York City Police Department, Bratton implemented a crime-fighting strategy in L.A. built around an obsessive focus on crime data and a computer mapping system that is used to identify specific areas of the city that require more policing.

That approach, along with a management style that placed considerable authority in the hands of his field commanders, has produced results: Crime rates have fallen steadily each year since Bratton’s takeover.
In a Los Angeles Times poll earlier this year, respondents expressed strong support for both the department and its chief. Almost eight in 10 registered voters said they either "strongly approve" or "somewhat approve" of police performance today.

It remains to be seen whether the changes made over the last 6 1/2 years have taken deep enough root to outlast the man who oversaw them. In recent interviews with The Times, Bratton has said that he believed the department was prepared for his departure. "If I left tomorrow," he said in December, "this would continue after I'm gone."

Bratton has long brushed aside frequent rumors about him leaving the LAPD for other jobs. British tabloids have often breathlessly announced he was a front-runner to take over Scotland Yard. And during the recent presidential campaign, he was seen as a strong candidate for a top federal law enforcement job, such as at the Department of Homeland Security. When asked by The Times last month whether his decision to place his Los Feliz home on the market was a portent of some brewing decision to leave, he said he had no such plans.

Regardless, the termination of the consent decree last month seemed to signal a major turning point for Bratton and his outlook on his tenure at the LAPD. With the department now free of what he believed was the heavy stigma of federal oversight, there appeared to be little new for Bratton to focus his energies on.

"I never want to go and just maintain something," he said in an interview late last year. "I want to be able to fix something."

--Joel Rubin

Monday, August 03, 2009

Update On Fashion Walk And Broadway Walk!

Less than two weeks ago, I posted a call for cultural organizations and fashion businesses to join us in launching a beta version of a Fashion Walk and a Broadway Walk on the third Thursday of each month - starting August 20th.

And we now have... over 110... individuals, businesses and organizations joining us for our first effort - and we haven't even sent out a press release - or put up a website.

So - what happened?

Well, first, Erin Magner of RACKED LA linked to the story...

http://la.racked.com/archives/2009/07/21/downtown_designers_get_a_walk_of_their_very_own.php

... and 24 hours later - the story made the front page of the Los Angeles Times website. Adam Tschorn, of the LAT's Fashion blog ALL THE RAGE, posted his story on the event - and linked to each of the other blog posts and his post ended up on the front page of the LAT site for much of the day.

The rest - as they say - is history.

So we now have a very long list of press and media (longer than for any event for which I had actually solicited press) waiting to get our formal announcement.

But first we need to hear from everyone who has wants to appear or show in the two new Walks. We want to get everyone we can in that first release.

So try and get us all your final proposals by this weekend, if possible, or at least tell us what you already know you can do so far.

We can still take additions after that - but this weekend is the deadline for anyone who wants to be on the first version of the website and in our first full press release.

Thanks!

Brady Westwater
bradywestwater@gmail.com
213-804-8396

Thursday, July 30, 2009

Downtown Fashion Walk Wants Some Steampunk!

After the success of the Downtown Los Angeles Art Walk the second Thursday of the month - we are now starting Fashion Walk the third Thursday of each month along Main, Spring and Broadway. That same night, we are also launching an entertainment and other all other arts Broadway Walk along Broadway from 2nd to 9th Streets.

Both events will be on the third Thursday of each month. And both events would like the extend an invitation to the steampunk movement to join us. We want to build upon the excitement - and wonder - of the recent Edwardian Ball at the Tower Theater and success of Los Angeles based circus - Cirque Berzerk - currently playing to rave reviews in Downtown's Cornfield Park.

And if you have not yet seen Cirque Berzerk and the one a kind... spectacle... it produces - their shows have just been extended - yet again - until August 9th. (see above link for ticket details).

These two new monthly Downtown walks will debut - side by side - Thursday night August 20th and they will run from 5:30 PM - 10 PM. And since many of the area's buildings (and interiors) date from the steam punk era, the Historic Downtown Los Angeles Neighborhood will provide an excellent environment to display and photograph all things steampunk.

Ad we will soon post more information about these events later. But, first, we are looking for any steampunk - or any other alternative clothing life-style - designers and dealers who would like to showcase their goods during Fashion Walk. We are also looking for unique entertainers to participate in our Broadway Walk.

So if you are interested, contact Brady Westwater at.... bradywestwater@gmail.com.

Thanks!

Saturday, July 25, 2009

Economic Development Committee Downtown Los Angeles Neighborhood Council July 28th Meeting 7 PM

DOWNTOWN LOS ANGELES NEIGHBORHOOD COUNCIL
Economic Development Committee Agenda
http://groups.yahoo.com/group/DLANC_ED/
Committee Board Co-Chair David Hurtado @ davidhurtado@gmail.com
Committee Co-Chair Brady Westwater • 213-804-8396 •
BradyWestwater@gmail.com

Tuesday • July 28th, 2009 • 7:00 p.m.
1100 Wilshire Blvd. Community Room – Los Angeles, CA 90015

Park on the street, nearest subway stop is at 7th and Figueroa. When
you enter the building, let the security guard know you are there
for the Economic Development Committee and the security guard will
direct you to the room we are meeting in. If you need help, contact
Committee Co-Chair Brady Westwater bradywestwater@gmail.com
213-804-8396 (cell)
DOWNTOWN LOS ANGELES NEIGHBORHOOD COUNCIL
Mailing office DLANC POB 13096 LA CA 90013-096
TELEPHONE: (213) 473-6451
www.dlanc.com MAIL STOP: 968-01
DEPARTMENT OF NEIGHBORHOOD EMPOWERMENTwww.lacityneighborhoods.com

CITY OF LOS ANGELES
DOWNTOWN LOS ANGELES NEIGHBORHOOD COUNCIL OFFICERS:
J. RUSSELL BROWN, PRESIDENT
BRADY WESTWATER, VICE-PRESIDENT OF ADMINISTRATION
PATTI BERMAN VICE-PRESIDENT OF OUTREACH AND COMMUNICATION
ALEX CHA, TREASURER
ANNA DANIELLE DURAN, SECRETARY

MEETING AGENDA
1. Call to order.

2. Public comment on non-agenda items.

3. Approval of minutes of prior meeting.

4. Discussion of plans for future mixers.

5. Discussion on Fashion Walk and Broadway Walk publicity.

6. Discussion and action on DLANC participation on Fashion Walk, Angel's Flight Walk, Broadway Walk and promoting local businesses to hotel guests and new residents and $1,000 towards website and marketing materials.

7. Discussion and action on outreach for two proposed City West boundary expansions.

8. Discussion and possible action on Downtown residential housing market.

9. Discussion on Downtown workers survey on what changes people need before they would move Downtown.

10. Update, if any, on CEDS program and possible partnerships to get grant money for the community.

11. Discussion and action on promoting Downtown ED activities on DLANC website and other on-line forums.

12. DIscussion and action on helping create economic development incubators.

13. Discussion and action on what ED activities could support SDAT project focusing
upon financially sustainable housing and walkable neighborhoods.

14. Discussion and vote on committee budget priorities for next fiscal year.

15. New/old business/future agenda items.

16. Board member comment.

17. Public comment.

18. Adjournment.

The public is requested to fill out a "Speaker Card" to address the
DLANC Planning & Land Use Committee (Committee) on any item of the
agenda prior to the Committee taking action on an item. Comments
from the public on agenda items will be heard only when the
respective item is being considered. Comments from the public on
other matters not appearing on the agenda that is within the
Committee's subject matter jurisdiction will be heard during the
public comment period. Public comment is limited to 2 minutes per
speaker, unless waived by the presiding officer of the Committee.
As a covered entity under Title II of the Americans with
Disabilities Act, the City of Los Angeles does not discriminate on
the basis of disability and upon request, will provide reasonable
accommodation to ensure equal access to its programs, services, and
activities. Sign language interpreters, assistive listening devices,
or other auxiliary aids and/or services may be provided upon
request. To ensure availability of services, please make your
request at least 3 business days (72 hours) prior to the meeting you
wish to attend by contacting Committee Co-Chair Brady Westwater at
213-804-8396 or bradywestwater@gmail.com.

SI REQUIERE SERVICIOS DE TRADUCCION, FAVOR DE NOTIFICAR A LA OFICINA
3 dias de trabajo (72 horas) ANTES DEL EVENTO. SI NECESITA
ASISTENCIA CON ESTA NOTIFICACION, POR FAVOR LLAME A NUESTRA OFICINA
AL 323-224-2316

--

It's the National Day of the Cowboy!

But this cowboy is along ways from his cowboy homes and even further away from this cowboy roots. So all you guys out there living the cowboy way - cowboy up while you can.

It doesn't last forever.

Monday, July 20, 2009

Join The Broadway Walk! And Fashion Walk, Too!

Broadway Walk Call for Projects!


If you are interested in Downtown – or Broadway – or both - or if you are involved in the performing or visual arts - you don’t need to read the article linked to above (and below) to know how the Art Walk has totally changed Main and Spring (but read it any way).

http://www.laobserved.com/archive/2009/07/la_observed_on_kcrw_downt.php

What you do NOT know, though – is that it’s now Broadway’s turn to have its own walk. But rather than just visual arts – beginning on August 20th – on the THIRD Thursday of the money – the week after second Thursday Art Walk – Broadway will showcase ALL of the arts each third Thursday of the month.

And just like Art Walk started with only a handful of pioneers – we are looking a dozen cultural organizations and about that many individuals willing to perform or exhibit in vacant storefronts, in restaurants, on vacant upper floors of buildings, on sidewalks - – or … possibly… maybe even in a theater – or its lobby.

That same night we will also be holding our first Fashion Walk, on Main and Spring - and on Broadway, too - with over twenty boutiques being open - plus special events. So feel free to come to both events dressed as your real, your fantasy or your forbidden selves.

So – if there is anything you'd like to do on Broadway – or anyone you think we should be talking to – let us know.

August 20th, 2009 will go down as the date Broadway nightlife – finally - first came back to life.

And how often are you given a chance to create history?

Brady Westwater
bradywestwater@gmail.com
213-804-8396

Thursday, July 16, 2009

Julius Shulman, Dies at 98

To say an era has passed with the death of architectural photographer Julius Shulman is inadequate. It is the end of several eras.

At 98, Shulman was the last person living who knew or worked with every member of the generation of modern architects who came to prominence in the Los Angeles of 1920's and 1930's. He then worked with each new generation of architects who came after them during the 70 years after his first job with Richard Neutra in 1936.

He was also the last of that early generation of architectural photographers remaining just as he was one of the first to specialize in that field. He was also one the few Angelinos left with memories of what it was like to live in the Los Angeles of the late post WWI era and the boom times of the 1920's. He was also - possibly - the last of his generation to be an active participant in civic life well into the 21st Century, right up until his death.

The time I first met him - in a class at UCLA back in the 1960's - I remember how impressed I was by the energy of such an 'old' man - particularly one from such a distant era. I was also impressed by how surprisingly candid he was in all his answers to our questions. And when we met last a few years ago - forty years after our first meeting - I was just as impressed.

Below is the opening of the LA Times article; but, better yet, just hit the link above for the whole piece.

Julius Shulman dies at 98; celebrated photographer of Modernist architecture
Shulman died Wednesday at his L.A. home. One observer says he had 'a profound effect on the writing and teaching of architectural history ... especially Southern California modernism.'
By Claudia Luther

12:03 PM PDT, July 16, 2009

Julius Shulman, whose luminous photographs of homes and buildings brought fame to a number of mid-20th century Modernist architects and made him a household name in the architectural world, died Wednesday night. He was 98.

Shulman, who had been in declining health, died at his home in Los Angeles, according to gallery owner Craig Krull, who represented him.

Starting with Richard Neutra in 1936, Shulman's roster of clients read like a who's who of pioneering contemporary architecture: Rudolf M. Schindler, Gregory Ain, Frank Lloyd Wright, Charles Eames, Raphael S. Soriano, John Lautner, Eero Saarinen, Albert Frey, Pierre Koenig, Harwell Harris and many others. His work was contained in virtually every book published on Modernist architects.

"He has a sense of visual bravura of composition," wrote the late Robert Sobieszek, photography curator at the Los Angeles County Museum of Art, "so that he can take a rather mundane house and make it look exciting, and take a spectacular house and make it look triply spectacular."

Shulman had "a profound effect on the writing and teaching of architectural history and understanding architecture, especially Southern California modernism," said Thomas Hines, UCLA professor emeritus of architecture and urban design. And Newsweek magazine's Cathleen McGuigan wrote that some of Shulman's photographs of modern glass houses in Palm Springs and Los Angeles "are so redolent of the era in which they were built you can practically hear the Sinatra tunes wafting in the air and the ice clinking in the cocktail glasses."

After the Depression, Shulman's studio was one of three in the U.S. to which Arts & Architecture, Architectural Forum and other magazines turned to document the exciting new work being done in architecture. The others were Ezra Stoller's firm in New York and the Hedrich Blessing firm in Chicago.

Shulman's 1960 photograph of Koenig's Case Study House #22 -- a glass-walled, cantilevered structure hovering above the lights of Los Angeles, became one of the most famous architectural pictures ever taken in the U.S. It was, as architecture critic Paul Goldberger wrote in the New York Times, "one of those singular images that sum up an entire city at a moment in time."

But Shulman's work went well beyond merely taking beautiful pictures of houses and buildings. His mission was to use his photography to build the reputation of the architects who were bringing innovative design to the West. Indeed, his photographs were, by and large, all that most people would ever see of noted architects' works, many of which were later destroyed.

Neutra, whose association with Shulman lasted 34 years until the architect's death in 1970, acknowledged this.

"Film [is] stronger and good glossy prints are easier [to] ship than brute concrete, stainless steel or even ideas," Neutra said.

Shulman was born Oct. 10, 1910, in Brooklyn, N.Y., the son of Russian Jewish immigrants. Soon after his birth, the family moved to a farm in Connecticut, where they raised cows, grew corn and had a small fur business.

It was on the farm that Shulman first developed a love of nature that, he said, awakened him to light and shadow and influenced his life's course.

When Julius was 10, his father moved the family to the Boyle Heights neighborhood of Los Angeles, which at that time was predominantly Jewish, and opened the New York Dry Goods Store on Temple Street. His father died of tuberculosis in 1923, leaving Julius' mother to run the business and raise five children.

After graduating from Roosevelt High School -- where he took what would be his only course in photography -- Shulman spent seven years as what he called an "academic drifter," auditing geology, philosophy and other courses at UCLA and UC Berkeley. He returned to Los Angeles -- without a degree and still unsure what he wanted to do.

He was, by then, however, earning rent money from pictures he took at Berkeley with an Eastman box camera. And one photograph of the 6th Street Bridge over the L.A. River had won first prize in a national magazine competition.

It was a chance meeting with Neutra in March 1936 -- two weeks after Shulman left Berkeley -- that would open up the possibility of becoming an architectural photographer. A man who was renting a room from Shulman's sister, and who was working as a draftsman for Neutra, invited Shulman along one day to see Neutra's Kun house, which was under construction near Fairfax Avenue and Hollywood Boulevard.

As was his habit by then, Shulman took along a vest-pocket camera that was equipped with a bellows that unfolded.

"I had never seen a modern house before," Shulman said. It "intrigued me with its strange forms -- beyond any previous identity of a house in my experience."

Shulman developed a few of the pictures and sent them to the draftsman, who showed them to Neutra. The architect, then in his mid-40s, sent for young Shulman and ordered up more prints.

With Neutra's invitation to photograph other projects, Shulman was suddenly a professional architecture photographer....

(REST OF ARTICLE AT ABOVE LINK)