Sunday, September 20, 2009

Another Reason Why The Downtown Street Car Will Be a Success!

This Sunday's New York Times evaluates the economic impact of Phoenix's new light rail system which is based upon the same economic development model as the system being built in Downtown Los Angeles.

Their rail line connects Phoenix's different downtown districts in the way ours will link South Park's Staples Arena, Grammy Museum, LA Live and Convention Center to the almost twenty theaters in the extended Broadway theater district - and to Historic Downtown's Gallery Row, Fashion Walk and bars and restaurants before it finally connects with Bunker Hill's Music Center, MOCA, Disney Hall and Grand Avenue Project and Park.

And to the surprise of many in Phoenix, their new light rail has created a local economic boom while the rest of the city continues in a serious economic decline. The good news for LA is that riders in Phoenix are flocking to a system that has a lot fewer attractions along it than we have and it does so in a Downtown with far less density, considerably fewer tourists, a fraction of the residents and comparatively fewer potential riders of ever kind compared to Downtown LA.

Phoenix also does not have our growing concentration of high rise offices and high rise residential buildings all along their line that will attract far more rush hour commuters to LA's system - nor does it have a connection to a growing regional rail sysem.

The Phoenix light rail design is also a little less user friendly than LA's streetcar model which allows you step right from the curb into the car. The far shorter construction method of our model also means local businesses will not have to suffer through an extended construction period as they did in Phoenix (and have done in past traditional light rail projects in LA) - to reap all the economic benefits.

And the success of the Phoenix system increasingly makes it even more certain Councilman Jose Huizar's decision to champion this project will be one of the few economic development projects in Los Angeles in years to create substantial numbers of jobs awhile also raising tax revenues, benefiting both the residents and tax payers of Los Angeles.

And at a time too many economic development projects in LA - and particularly in Downtown - are still largely designed to provide high paying jobs for politically connected consultants and contractors, hopefully the success of this project - and the hoped for success of the overall Bringing Back Broadway Project - will demonstrate that with the right leadership, our city can accomplish the types of genuine economic development projects every city but LA seems to be able to regularly initiate and complete.

http://www.nytimes.com/2009/09/20/us/20rail.html?hpw

September 20, 2009
In Phoenix, Weekend Users Make Light Rail a Success

By JENNIFER STEINHAUER New York Times
PHOENIX — Among the many detractors — and they were multitudinous — who thought a light rail line in this sprawling city would be a riderless $1 billion failure was Starlee Rhoades, the spokeswoman for the Goldwater Institute, a vocal critic of the rail’s expense. “I’ve taken it,” Ms. Rhoades said, slightly sheepishly. “It’s useful.”

She and her colleagues still think the rail is oversubsidized, but in terms of predictions of failure, she said, “We don’t dwell.”

The light rail here, which opened in December, has been a greater success than its proponents thought it would be, but not quite the way they envisioned. Unlike the rest of the country’s public transportation systems, which are used principally by commuters, the 20 miles of light rail here stretching from central Phoenix to Mesa and Tempe is used largely by people going to restaurants, bars, ball games and cultural events downtown.

The rail was projected to attract 26,000 riders per day, but the number is closer to 33,000, boosted in large part by weekend riders. Only 27 percent use the train for work, according to its operator, compared with 60 percent of other public transit users on average nationwide.

In some part thanks to the new system, downtown Phoenix appears to be one of the few bright spots in an otherwise economically pummeled city, which like the rest of Arizona has suffered under the crushing slide of the state’s economy. The state, for years almost totally dependent on growth, has one of the deepest budget deficits in the country.

In the first quarter of 2009, downtown Phoenix saw its revenues increase 13 percent, while the rest of the city saw a fall of 16 percent, according to Eric Johnson, a redevelopment program manager for the city’s Community and Economic Development Department. (Businesses along the line suffered greatly during the many years of construction, it should be noted.)

“It is bringing us new customers who didn’t have time to get in the car and drive out here before,” said Joel Miller, a co-owner of Maizies Cafe and Bistro, which sits right along the rail line.

The gaggle of light rail users — including Arizona State University students, who use a line that connects its Tempe campus with the downtown campus — have given a small part of the city a new, dense connectivity that was more or less unheard of in the city two years ago. Pub crawls along the light rail have become a weekend staple, and restaurants have seen new customers from outside the neighborhood popping in off the line for brunch on the weekends.

“I think the biggest impact of the light rail is less tangible,” said Matt Poolin, owner of Matt’s Big Breakfast, a busy spot along the line, “which is that it really improves the image and perception of Phoenix’s downtown, which, although experiencing a significant renaissance in recent years, still is undergoing many improvements and changes. The light rail, largely because it is so well run and nicely appointed, is something that I think most people are really proud of and feel positive about. It is rare to hear anyone complain, despite all of the controversy.”

The controversy was largely attached to the rail line’s cost — $1.4 billion — and the relatively low ticket price — $1.75 each way, with all-day passes for $3.50 and discounted rates for longer-term passes. In a city with low density, miles of suburban sprawl to the east and west of downtown and a historical lack of passion for public transportation, the rail line, one of the nation’s 36 systems, seemed like a white elephant.

But its development over the last decade coincided with the city’s expansion of the downtown convention center, the rise of the new A.S.U. campus and the booming commercial and residential real estate market that helped fuel the growth of Phoenix, downtown and elsewhere, earlier in the decade. Since 2001, when the tax for the new rail line was approved, there has been about $5 billion in public and private investment — $3.5 billion of it private — around the site of the light rail, the city’s development agency spokesman said.

Valley Metro, the line’s operator, hopes to add 37 miles toward Glendale and northeast Phoenix, breaking ground in 2012 and completing the extensions by 2017.

“We would like to see a financial audit before they expand,” said Ms. Rhoades of the conservative Goldwater Institute, echoing those who have been critical of the expense. “We are also proponents of paying your own way, and we think the light rail remains too subsidized.”

The hooting of an oncoming sleek new train is a sound many in Phoenix are still becoming used to, but it has given the city a distinctly modern feel. “There has been this pent-up demand for downtown Phoenix to grow up,” said Nick Bastian, a real estate agent in the city who has developed a blog devoted to light rail news. “And the light rail has given people an excuse to say let’s go down there and check it out.”

MTA To Shut Down Subway Stations During Rush Hour!

Or at least that's what it seems like they are trying to do.

I can't believe the MTA is only putting in half the turnstyles in the Pershing Square & McArthur Park Stations commuters will need during the rush hour. But the worst of it is - many of those turnstyles are going to be tied up by people exiting - even though they don't need to pay fares. Yes, instead of having separate exits which do not have the ticket taking function - there will not only be too few turnstyles - but those too few turnstyles will be going in two different directions.

And even the Sheriff's officers are openly saying that whoever designed this system is (redacted) and... (redacted) - not to mention (redacted, redacted and redacted) - and that all of us who use the subway are totally (redacted) big time.

Saturday, September 19, 2009

Support Iranian Street Artists! Free Event Downtown Tonight! 6 - 9 PM

Subject: TONIGHT!

http://www.crewest.com/

Join us tonight, Saturday, Sep. 19 from 6-9 pm
A very special Live event at Crewest:

Artists from L.A. will create work LIVE in the spirit of exchange with the artists in FROM THE STREETS OF IRAN.
Participating artists include:
Man One, ABCNT, John Carr, Contra, Karen Fiorito, Amitis Motevalli, O and Petal.

Come and watch some of the best local urban artists at work.

From The Streets Of Iran runs through September 26th @ Crewest

http://www.crewest.com/

110 Winston St.
Los Angeles, CA 90013
213627-8272

Thursday, September 17, 2009

Four New Boutiques Open Since Last Fashion Walk

www.downtownfashionwalk.com

Now while all four of these stores - which will be open on tonight's Fashion Walk from 5:30 - 10 PM - have opened in the past month - which comes to about one new store a week - all but one have participated in past Art and/or Fashion Walk events.

First - KAPSOUL - had a sneak preview at last month's first Fashion Walk - and had a line out the door of eager buyers, despite their then limited selection. Now, though, the store is fully stocked

KAPSOUL 6th Street between Main and Spring
Cell 818-693-4180 Contemporary & vintage clothes, sunglasses

Next, 1-Man's Trash has long been located in Downtown Los Angeles but only recently has been an exhibitor at past Art and Fashion Walks. This, then, will be the Fashion Walk debut of their new store which will feature Erik Dixon's one of a kind re-worked vintage pieces for men, women and children. Among those who have worn his line are Usher Raymond, Ellen Degeneres, and Carmen Elektra. Also featured in the store is a carefuly curated selction of vintage clothing.

1-Man's Trash 651 S. Main Street Vintage inspired, re-made vintage And vintage clothing 818-355-1130

Christina Wheeler has also shown at past Downtown Art Walks before taking the plunge and opening her own store. She has been primarily showing her handbags and hats - but has recently returned to her roots as a clothing designer.

Symbiotic Form
www.symbioticform.blogspot.com 651 Main Street
213-631-6971 Vintage inspired woman's hand bags, hats, clothes and jewelry

In contrast, the all vintage store - ZLB - just appeared a couple weeks ago at 7th and Main with a selection of unusual vintage designs culled from the owner's purchases all over the US - and Europe.

ZLB Main and 7th NW Corner on 7th Side of Building Vintage Clothing of every kind and every price

We will have more on each of these stores and their owners shortly - but besides the fact the are few - if any - retail districts where no clothing stores are closing - I suspect that only on Downtown's Fashion Walk are new stores opening on a regular basis.

What Do Vegas Show Girls And Women On Fashion Walk Have In Common?

www.downtownfashionwalk.com

They all have or have had an opportunity to wear a hat created by Jill Pfieffer. One of the many unique character you will meet on the Downtown Fashion Walk, Jill will be showing some of her one of a kind hats at the Spring Arts Tower at 5th and Spring.

Below is a short bio of a long life:

Biography

Jill started her life as an artist early, with private fine art lessons at the age of 7 and started selling portraits at the age of 10. She has pursued her vocation all of her life and spent many years working as a Costume Designer, Milliner, Wardrobe Master and Stylist.

She has worked in Las Vegas for the Luxor Hotel, the Excalibur Hotel, the Sands, the Desert Inn, the Las Vegas Hilton, the Stardust, and Circus Circus, among others, in Reno for Bally’s, in Beverly Hills and Los Angeles, creating costumes, headdresses, and other wardrobe for shows such as “Lido de Paris”, “King Arthur’s Tournaments”, “Starlight Express”, “Viva Las Vegas”, “Sid and Marty Kroft’s Comedy Kings”, “Beach Blanket Babylon”, “Splash”, and “Jesus Christ Superstar”.

After settling in Los Angeles, Jill started creating one-of-a-kind cigar box purses and custom hats and sold them in the LA Garment Dist. for 5 years, where people from all over the world bought both the purses & hats.

A life-long educator, as well as an artist, Jill has taught at UCLA, in Las Vegas and Los Angeles, is still teaching millinery and has just started teaching painting.

Alternative Couture In Alternative Art Space At Fashion Walk!

www.downtownfashionwalk.com

On tonight's Fashion Walk, Crewest - one of the world's leading graffiti galleries - will host Nicole Moan Ceramic Corsets(Ceramic Corsets) and ethercult couture (custom apparel.

Both lines of clothing that look equally at home in an art gallery as they do on the human body. Also on the display in the gallery are examples of Iranian street graffiti. You can see examples at the Crewest website:

http://www.crewest.com/

And below is an interview with Steve Sattler of the Ether Cult.

Weapons of the Ether Cult
Interview: Steven Sattler
by Nathan Cartwright


Steven Sattler is an Idaho grown, Anarchist prone artistic mega-beast. From dodging the draft by starving himself to challenging skinheads in small towns in his white washed state, he is a true warrior of visual persuasion. He stands for chaos, but has an innate ability to make it all look so good in his mixed media compositions. Recently, I had the privilege to visit his studio and chat about his amazing creations and ideas about a New World Order.

Nathan: Steven, I often say there are two types of artists who thrive in The Hive; the illustrators and the mad scientists. Your work is definitely in the latter category. What influences have led you to the Sattler I know?

Steven: An early realization of the horrific state of adult life led me to art as a means of creating alternate realities. In grade school, comic books and sci-fi led me to the study of the aryan mythos, the possibility of real supermen was intriguing. Then I was introduced to surrealism by a nun who gave me a holy card that was by Dali, (I’m sure that she knew not what poisons she had let loose), eventually the army tried to send me to my death, making me a permanent enemy of the state. Finally zen and Krishnamurti put me on a quest for absolute freedom, something that appealed to my inherent non-conformist bent. My ongoing influences would be surrealism and it’s offshoots, except the current drivel that is pop surrealism, (I’m sure Breton is spinning in his grave), and French academic art and teachings, particularly J.L. Gerome. 200

NC: What are some of the obstacles you faced growing up in (the inland northwest) as an artist?

Steven: In the northwest, if you call yourself an artist you had better be able to paint signs or do horse portraiture or will likely get shot. They don’t hold well to the con game that is modern art. Growing up in a hot rod environment, an artist was the guy who could pinstripe or do flames. My dad’s advice was “you have a good eye for detail, you should be a forger or a counterfeiter”.

NC: Tell me about the Ether Cult.

Steven: Ethercult is an attempt to subvert the capitalist spectacle by using its own means against it. It’s a design collective using art as a weapon to confront the public in unexpected places, through clothing, furniture, graphic design, sounds, etc, anywhere that we can produce unsettling, unsellable, original statements of revolt. A current example would be ethercult couture’s invisible red carpet ensemble, an outfit so offensive it would have to be pixelated from head to toe. Ethercult is attempting to be a community college of pataphysics. A training ground for sedition. Our motto is ” We don’t want your money, your time, or your beliefs. Everything’s perfect, stay as you are.”

NC: How does art and economy tie together with this idea?

Steven: The only way to be avant-garde today is to remove money entirely from the art equation.

NC: Any new secret projects lined up in your mad scientist laboratory?

Steven: The main things would be a chess set reflecting the modern human beast (each piece being life sized mixed media sculptures), a new line for ethercult couture, a piece for next months bee-rotica show at the Hive entitled ” The persecution of Dennis Hopper in the 11th dimension” another anti celebrity rant, and continuing to hone my art skills, the better to realize any inspiration that comes my way.

Downtown Fashion Walk Starts 5:30 Tonight!

Over thirty fashion stores, events and free music open from 5:30 PM - 10 PM tonight along Main, Spring and Broadway between 4th and 7th!

All the details and the full map are at:

www.downtownfashionwalk.com

With updates at:

www.downtownfashionwalk.blogspot.com

Wednesday, September 16, 2009

Downtown Fashion Walk Final Map and Schedule Now on Website! Thursday Sept. 17th!

Every you want to know about Fashion Walk is either on the website www.downtownfashionwalk.com - or on the new Downtown Fashion Walk blog - www.downtownfashionwalk.blogspot.com

Join us between 5:30 PM - 10 PM this Thursday September 17th, 2009

Tuesday, September 15, 2009

Downtown Fashion Walk Now Has Its Own Blog!

From now on most of the posts about the Downtown Fashion Walk be be appearing on... the Downtown Fashion Walk blog.

www.downtownfashionwalk.blogspot.com

Friday, August 28, 2009

LOOKING FOR CREATIVE RETAIL AND RETAIL CONCEPTS!

Downtown LA needs creative retailers! We need visionaries who want to reinvent the future of retail in the 21st Century. So – do you know how brick and mortar can compete with cyber-stores? Do you know how department stores can reinvent themselves?

Do you have the next great concept for a fashion, book, art, furniture, speciality, collectibles or - whatever - store?

Well - if you have the right ideas - very soon, we will have a place where you can make them happen in Downtown Los Angeles.

Brady Westwater

bradywestwater@gmail.com or 213-804-8396

Wednesday, August 19, 2009

Downtown Fashion Walk Map Now Up!

A very slightly updated version will be posted tomorrow morning! Just hit were to go!

http://downtownfashionwalk.com/main.html

www.downtownfashionwalk.com

Downtown Fashion Walk Store and Event List!

Until we finish getting the events up on Downtown Fashion Walk the website, here are about 90% of the stores, pop-ups and special events that will be held Thursday August 20th. SO - UNTIL FURTHER NOTICE - THIS WILL BE THE MOST UPDATED LIST OF EVENTS. But final list and map will be on website Wednesday night.

And last few additions will be added to this this site by afternoon Wednesday - and they will be listed as an UPDATE - and a map to everything will be posted on the website on Wednesday night. Copies of the map will also be available up at most of the stores listed on Main and Spring Streets starting at 11 AM on Thursday morning.

Entertainment and Special events are listed letters.

Downtown Fashion Walk – Where To Go

Thursday August 20th, 2009

5:30Pm – 10 PM (thought most stores will be open by noon)

Stores & Events Listed By Street

MAIN STREET & SIDE STREETS

1. M'ouments (Store)
125 W. 4th St. #106 (Enter Off Alley)
213 626 6606
www.mouments.tumblr.com
Former Comme des Garcon Guerrilla Store now
M'ouments, carrying brands like Comme des Garcon,
Unholy Matrimony and Sonia Boyjian

2. Blends (Store)
125 W 4th St
213 626 6606
www.Blendsus.Com
Limited Edition sneakers &
Urban Clothing

3. Elmer Ave. (Store)
125 W. 4th St.
888 356 3728
www.Elmerave.Com
Rock and Roll Rebels Designing
High-End Formal Wear

4. Skin.Graft (Store)
125 W. 4th St. #102
213 626 2662 www.skingraftdesigns.Com
Raw underground Style combined with
Sleek high-end couture

5. Fremont (Store)
120 W. 4th St.
213 626 1756
www.Fremontapparelco.Com
Classic Cool Couture

6. 621 Main Street
Pop-up store TBA

7. Crewest (Store)
110 E. Winston St.
Los Angeles
213 627 8272
www.Crewest.Com
Stellar graffiti artist art & clothing

8. The Gallery@118 Winston
118 E. Winston Street
Second floor
Vintage, N.OM by Natalia Benson earrings,
& clothing designed by Flock.

9. Stelladottir (Store)
430 S. Main St.
213 623 8464
www.stelladottir.com
Hand made, vintage inspired clothes and hats.
Last year’s Downtown store of the year.

10. Main Street Tattoo
438 Main Street
213-622-0387
www.mainsttats.com

A. 7 & 10 PM screening of Project Runway
Patio of Café Bermuda
464 S. Main Street
213-622-6644

11. Pussy & Pooch (store)
564 S. Main St
213 438 0900
www.pussyandpooch.com
Pet Couture & Grooming

12. Upper Playground (Store)
125 E 6th Street
213 623 4300
www.Upperplayground.Com
Fusion of fashion with fine art
with locally and nationally known artists

13. Mr. Cartoon's Tattoo Shop (Store)
129 E 6th St
213 488 0313
www.Mistercartoon.Com
Urban clothes & classic tattoos

14. Soulful Commandoe Flagship Store (Store)
121 E 6th Street, #131
213 291 9601
www.Soulfulcommandoe.Com
Ultra Exclusive Street Apparel & Accessories

15. Pacific Electric Ground Floor
Corner 6th & Main
Sample & Clearance Sales
Multiple Fashion District name Brands

16. PE Annex (pop-up)
618 Main Street
Pop-up store TBA

17. 630 Main (pop-up store)
Rhys Dwfen
www.rhysdwfen.com
A women’s contemporary collection of luxurious knit

18. 632 Main (pop-up store)
Jenny Han
www.jennyhan.com
A contemporary-chic collection of sweet and sexy pieces

19. Known Gallery (store)
651 Main Street
http://www.knowngallery.com/
Urban Art & Urban clothes

20. 1-Man’s Trash (store)
651 S. Main Street
Vintage inspired couture, designer vintage.

21.TSL Armor Jewelry (store)
651 Main Street
Urban Jewelry
http://www.knowngallery.com/blog/post/tsl-armor-releases-their-new-line-for-agenda

22. Symbiotic Form (store)
651 Main Street
213.631.6971
vintage inspired woman's hand bags, hats, clothes and jewelry.
www.symbioticform.blogspot.com


SPRING STREET & SIDE STREETS

22. Ed Hardy (Store)
433 S Spring St
213 627 3932
www.edhardyshop.com
Vintage-styled Tattoo Wear
Only Ed Hardy Outlet Store!

23. Phyllis Stein Art (store)
207 W. 5th Street
213-622-6012
323-896-7465 cell
http://www.phyllissteinart.com/
Todd Goldman clothes, Molly Schiot clothes
and paintings by David Thomas.

24. Polyester Books (Store)
(Todd/Browning Gallery)
211 West 5th Street
213 623 1176
www.Polyesterbooks.Com
Fashion, Style, Art & Design Books
Vintage/Contemporary Photographs

B. You’re The Top
Spring Arts Tower Main Space. One Night Event!
Multiple hat dealers & designers, vintage hats, book signing
by Project Runway’s Kate Hahn and Andrae Gonzalo.
201 W. 5th Street - 5th & Spring
http://www.deepglamour.net/deep_glamour/2009/08/party-with-deepglamour-on-august-20.html

25. TBA (pop-up)
109 W. 6th
TBA

26. Takashi Masuda (store)
110 W. 6th Street
Cell 818-693-4180
Contemporary & vintage clothes, sunglasses

27. Flea (store)
112 W. 6th
213-626-2122
Vintage clothes, furniture
(needs to close by 5 PM today)

28. Salon on 6 (store)
111 W. 6th
TBA Music, Fashion & Make-up
213-623-5033

29. Apliiq (Store)
114 W 6th Street
323 300 6492
www.apliiq.com
Apliiq applies unique rare textiles to
your everyday garments.

30 New York Hats (Store)
217 W 6th St
213 228 1915
New And Old School Hats
Located in historic chocolate store
filled with Bachelder tiles!

31. Crack Gallery (Store)
204 W 6th St
213 622 3493
www.crackgallery.com
Crack Gallery wants to get the city hooked on a new drug:
their own blend of fashion and art.

32. Shoes & Hand Bags (store)
204-½ W. 4th Street
213 622 3493
www.crackgallery.com
Handbags, Shoes & Accessories

BROADWAY & SIDE STREETS
(some of these stores may close early)

33. Goodwill (Store – Fashion Walk)
235 S Broadway
(213) 628-1748
www.Goodwillsocal.Org
Vintage/Used/Huge Selection!

34. Uniforms (Store – Fashion Walk)
217 W 4th St
213 617 8495
http://www.broadwayarmystore.net/ArmyStore/Default.htm
Military & Civilian Uniforms, Shirts

35. El Fino (Braodway Walk)
412 – 416 Broadway
Boot & Denim & Western Shirt Sale (Broadway/Fashion Walk store)
Going Out Of Business Sale!

36. Judson Building (Broadway Walk)
436 S. Broadway
Shoes/Men’s Clothes

C. American Mart (Store - Fashion Walk)
437 S. Broadway
OVER TWENTY CREATIVE VENDORS!
Fashion, Art, Collectibles, Jewelry!

37. Shoe Hut (Store – Fashion Walk)
529 S Broadway
213 688 8310
www.shoehutusa.com
Huge Selection Of Baseball Caps
& Shoes

38. Blue Jeans (store – Broadway Walk)
553 S. Broadway
Men’s Clothing, Boots, Hats
Large selection

D. Comedy Walk!
Three Hours of Free Comedy!
Entrance to Broadway Spring Arcade
542 S. Broadway
www.comedywalk.com

30 New York Hats (Store)
217 W 6th St
213 228 1915
New And Old School Hats
Located in historic chocolate store
filled with Batchler tiles!

39. Chanelli Outlet
625 S. Broadway
Rarely Seen European Brand
Bags. Clearance Sale! Ask to see
the bags in the rear.

40. Red Zone Footwear (Store – Fashion Walk)
629 S Broadway
213 622 8649
http://local.yahoo.com/info-20366907-red-zone-footwear-los-angeles?tab=reviews#reviews
Excellent selection of creepers, heels and punk and rock shirts

41. Pop-Up Store – TBA
624 S. Broadway

E. Palace Theater - Lobby
630 S. Broadway
Steve Henao fronts the fast rising band –
Katerpillar! Starting at 7 PM.
Act Right Gear will also have shirts

Wednesday, August 12, 2009

Los Angeles Times Website Redesign A Home Run!

I just got back from the gym to find a IM from Dakota over at Curbed LA telling me to look at the LA Times website. And... my verdict is - the new design is a four bagger.

The design is far easier to read and far better organized. I'd go into my detail except.... I'm too busy writing my own website for next weeks' Downtown Fashion Walk....

Wednesday, August 05, 2009

Chief Bratton To Resign From LAPD!

Chief Bratton is about to leave Los Angeles after reforming and revitalising the Los Angeles Police Department and dropping crime and murder levels to far below what they were when he took over the department.

The first question is - what happens next?

The good news is that after Bratton left New York - the team he had built continued to reduce crimes levels - every year (except for a spike in murders last year) and this year - in a decline economy and with fewer cops, not only is overall crime still dropping, but even murders have resumed their decline in New York.

The second question is - will the Mayor and the City Council select the best person for the job - or will they allow politics to interfere - as has happened in the past with disastrous results.

Here is part of the LA Times story linked to above:

Los Angeles Police Chief William J. Bratton to step down
8:59 AM | August 5, 2009
William J. Bratton is expected to announce plans to resign as chief of the Los Angeles Police Department today to take over as head of a private security firm, sources have told The Times.

Bratton is expected to announce his decision at a noon press conference today. He did not return several calls seeking comment.

The decision by Bratton, who has dramatically reshaped the LAPD and pushed down crime rates since taking over in 2002, took the city’s political and police leadership by surprise.

As Bratton flew back to Los Angeles from a personal trip to New York Tuesday night, aides to his boss, Mayor Antonio Villaraigosa, said Villaraigosa knew nothing of the planned departure.

Likewise, members of the civilian panel that oversees the LAPD, as well as the deputy and assistant chiefs whom Bratton entrusts with the day-to-day operations of the department, were caught off-guard when asked about Bratton’s imminent resignation.

Bratton, 61, leaves with more than three years remaining in his second term. In Los Angeles, he cemented his reputation as one of the country’s leading law enforcement minds.

As he did during a short stint as head of the New York City Police Department, Bratton implemented a crime-fighting strategy in L.A. built around an obsessive focus on crime data and a computer mapping system that is used to identify specific areas of the city that require more policing.

That approach, along with a management style that placed considerable authority in the hands of his field commanders, has produced results: Crime rates have fallen steadily each year since Bratton’s takeover.
In a Los Angeles Times poll earlier this year, respondents expressed strong support for both the department and its chief. Almost eight in 10 registered voters said they either "strongly approve" or "somewhat approve" of police performance today.

It remains to be seen whether the changes made over the last 6 1/2 years have taken deep enough root to outlast the man who oversaw them. In recent interviews with The Times, Bratton has said that he believed the department was prepared for his departure. "If I left tomorrow," he said in December, "this would continue after I'm gone."

Bratton has long brushed aside frequent rumors about him leaving the LAPD for other jobs. British tabloids have often breathlessly announced he was a front-runner to take over Scotland Yard. And during the recent presidential campaign, he was seen as a strong candidate for a top federal law enforcement job, such as at the Department of Homeland Security. When asked by The Times last month whether his decision to place his Los Feliz home on the market was a portent of some brewing decision to leave, he said he had no such plans.

Regardless, the termination of the consent decree last month seemed to signal a major turning point for Bratton and his outlook on his tenure at the LAPD. With the department now free of what he believed was the heavy stigma of federal oversight, there appeared to be little new for Bratton to focus his energies on.

"I never want to go and just maintain something," he said in an interview late last year. "I want to be able to fix something."

--Joel Rubin

Monday, August 03, 2009

Update On Fashion Walk And Broadway Walk!

Less than two weeks ago, I posted a call for cultural organizations and fashion businesses to join us in launching a beta version of a Fashion Walk and a Broadway Walk on the third Thursday of each month - starting August 20th.

And we now have... over 110... individuals, businesses and organizations joining us for our first effort - and we haven't even sent out a press release - or put up a website.

So - what happened?

Well, first, Erin Magner of RACKED LA linked to the story...

http://la.racked.com/archives/2009/07/21/downtown_designers_get_a_walk_of_their_very_own.php

... and 24 hours later - the story made the front page of the Los Angeles Times website. Adam Tschorn, of the LAT's Fashion blog ALL THE RAGE, posted his story on the event - and linked to each of the other blog posts and his post ended up on the front page of the LAT site for much of the day.

The rest - as they say - is history.

So we now have a very long list of press and media (longer than for any event for which I had actually solicited press) waiting to get our formal announcement.

But first we need to hear from everyone who has wants to appear or show in the two new Walks. We want to get everyone we can in that first release.

So try and get us all your final proposals by this weekend, if possible, or at least tell us what you already know you can do so far.

We can still take additions after that - but this weekend is the deadline for anyone who wants to be on the first version of the website and in our first full press release.

Thanks!

Brady Westwater
bradywestwater@gmail.com
213-804-8396

Thursday, July 30, 2009

Downtown Fashion Walk Wants Some Steampunk!

After the success of the Downtown Los Angeles Art Walk the second Thursday of the month - we are now starting Fashion Walk the third Thursday of each month along Main, Spring and Broadway. That same night, we are also launching an entertainment and other all other arts Broadway Walk along Broadway from 2nd to 9th Streets.

Both events will be on the third Thursday of each month. And both events would like the extend an invitation to the steampunk movement to join us. We want to build upon the excitement - and wonder - of the recent Edwardian Ball at the Tower Theater and success of Los Angeles based circus - Cirque Berzerk - currently playing to rave reviews in Downtown's Cornfield Park.

And if you have not yet seen Cirque Berzerk and the one a kind... spectacle... it produces - their shows have just been extended - yet again - until August 9th. (see above link for ticket details).

These two new monthly Downtown walks will debut - side by side - Thursday night August 20th and they will run from 5:30 PM - 10 PM. And since many of the area's buildings (and interiors) date from the steam punk era, the Historic Downtown Los Angeles Neighborhood will provide an excellent environment to display and photograph all things steampunk.

Ad we will soon post more information about these events later. But, first, we are looking for any steampunk - or any other alternative clothing life-style - designers and dealers who would like to showcase their goods during Fashion Walk. We are also looking for unique entertainers to participate in our Broadway Walk.

So if you are interested, contact Brady Westwater at.... bradywestwater@gmail.com.

Thanks!

Saturday, July 25, 2009

Economic Development Committee Downtown Los Angeles Neighborhood Council July 28th Meeting 7 PM

DOWNTOWN LOS ANGELES NEIGHBORHOOD COUNCIL
Economic Development Committee Agenda
http://groups.yahoo.com/group/DLANC_ED/
Committee Board Co-Chair David Hurtado @ davidhurtado@gmail.com
Committee Co-Chair Brady Westwater • 213-804-8396 •
BradyWestwater@gmail.com

Tuesday • July 28th, 2009 • 7:00 p.m.
1100 Wilshire Blvd. Community Room – Los Angeles, CA 90015

Park on the street, nearest subway stop is at 7th and Figueroa. When
you enter the building, let the security guard know you are there
for the Economic Development Committee and the security guard will
direct you to the room we are meeting in. If you need help, contact
Committee Co-Chair Brady Westwater bradywestwater@gmail.com
213-804-8396 (cell)
DOWNTOWN LOS ANGELES NEIGHBORHOOD COUNCIL
Mailing office DLANC POB 13096 LA CA 90013-096
TELEPHONE: (213) 473-6451
www.dlanc.com MAIL STOP: 968-01
DEPARTMENT OF NEIGHBORHOOD EMPOWERMENTwww.lacityneighborhoods.com

CITY OF LOS ANGELES
DOWNTOWN LOS ANGELES NEIGHBORHOOD COUNCIL OFFICERS:
J. RUSSELL BROWN, PRESIDENT
BRADY WESTWATER, VICE-PRESIDENT OF ADMINISTRATION
PATTI BERMAN VICE-PRESIDENT OF OUTREACH AND COMMUNICATION
ALEX CHA, TREASURER
ANNA DANIELLE DURAN, SECRETARY

MEETING AGENDA
1. Call to order.

2. Public comment on non-agenda items.

3. Approval of minutes of prior meeting.

4. Discussion of plans for future mixers.

5. Discussion on Fashion Walk and Broadway Walk publicity.

6. Discussion and action on DLANC participation on Fashion Walk, Angel's Flight Walk, Broadway Walk and promoting local businesses to hotel guests and new residents and $1,000 towards website and marketing materials.

7. Discussion and action on outreach for two proposed City West boundary expansions.

8. Discussion and possible action on Downtown residential housing market.

9. Discussion on Downtown workers survey on what changes people need before they would move Downtown.

10. Update, if any, on CEDS program and possible partnerships to get grant money for the community.

11. Discussion and action on promoting Downtown ED activities on DLANC website and other on-line forums.

12. DIscussion and action on helping create economic development incubators.

13. Discussion and action on what ED activities could support SDAT project focusing
upon financially sustainable housing and walkable neighborhoods.

14. Discussion and vote on committee budget priorities for next fiscal year.

15. New/old business/future agenda items.

16. Board member comment.

17. Public comment.

18. Adjournment.

The public is requested to fill out a "Speaker Card" to address the
DLANC Planning & Land Use Committee (Committee) on any item of the
agenda prior to the Committee taking action on an item. Comments
from the public on agenda items will be heard only when the
respective item is being considered. Comments from the public on
other matters not appearing on the agenda that is within the
Committee's subject matter jurisdiction will be heard during the
public comment period. Public comment is limited to 2 minutes per
speaker, unless waived by the presiding officer of the Committee.
As a covered entity under Title II of the Americans with
Disabilities Act, the City of Los Angeles does not discriminate on
the basis of disability and upon request, will provide reasonable
accommodation to ensure equal access to its programs, services, and
activities. Sign language interpreters, assistive listening devices,
or other auxiliary aids and/or services may be provided upon
request. To ensure availability of services, please make your
request at least 3 business days (72 hours) prior to the meeting you
wish to attend by contacting Committee Co-Chair Brady Westwater at
213-804-8396 or bradywestwater@gmail.com.

SI REQUIERE SERVICIOS DE TRADUCCION, FAVOR DE NOTIFICAR A LA OFICINA
3 dias de trabajo (72 horas) ANTES DEL EVENTO. SI NECESITA
ASISTENCIA CON ESTA NOTIFICACION, POR FAVOR LLAME A NUESTRA OFICINA
AL 323-224-2316

--

It's the National Day of the Cowboy!

But this cowboy is along ways from his cowboy homes and even further away from this cowboy roots. So all you guys out there living the cowboy way - cowboy up while you can.

It doesn't last forever.

Monday, July 20, 2009

Join The Broadway Walk! And Fashion Walk, Too!

Broadway Walk Call for Projects!


If you are interested in Downtown – or Broadway – or both - or if you are involved in the performing or visual arts - you don’t need to read the article linked to above (and below) to know how the Art Walk has totally changed Main and Spring (but read it any way).

http://www.laobserved.com/archive/2009/07/la_observed_on_kcrw_downt.php

What you do NOT know, though – is that it’s now Broadway’s turn to have its own walk. But rather than just visual arts – beginning on August 20th – on the THIRD Thursday of the money – the week after second Thursday Art Walk – Broadway will showcase ALL of the arts each third Thursday of the month.

And just like Art Walk started with only a handful of pioneers – we are looking a dozen cultural organizations and about that many individuals willing to perform or exhibit in vacant storefronts, in restaurants, on vacant upper floors of buildings, on sidewalks - – or … possibly… maybe even in a theater – or its lobby.

That same night we will also be holding our first Fashion Walk, on Main and Spring - and on Broadway, too - with over twenty boutiques being open - plus special events. So feel free to come to both events dressed as your real, your fantasy or your forbidden selves.

So – if there is anything you'd like to do on Broadway – or anyone you think we should be talking to – let us know.

August 20th, 2009 will go down as the date Broadway nightlife – finally - first came back to life.

And how often are you given a chance to create history?

Brady Westwater
bradywestwater@gmail.com
213-804-8396

Thursday, July 16, 2009

Julius Shulman, Dies at 98

To say an era has passed with the death of architectural photographer Julius Shulman is inadequate. It is the end of several eras.

At 98, Shulman was the last person living who knew or worked with every member of the generation of modern architects who came to prominence in the Los Angeles of 1920's and 1930's. He then worked with each new generation of architects who came after them during the 70 years after his first job with Richard Neutra in 1936.

He was also the last of that early generation of architectural photographers remaining just as he was one of the first to specialize in that field. He was also one the few Angelinos left with memories of what it was like to live in the Los Angeles of the late post WWI era and the boom times of the 1920's. He was also - possibly - the last of his generation to be an active participant in civic life well into the 21st Century, right up until his death.

The time I first met him - in a class at UCLA back in the 1960's - I remember how impressed I was by the energy of such an 'old' man - particularly one from such a distant era. I was also impressed by how surprisingly candid he was in all his answers to our questions. And when we met last a few years ago - forty years after our first meeting - I was just as impressed.

Below is the opening of the LA Times article; but, better yet, just hit the link above for the whole piece.

Julius Shulman dies at 98; celebrated photographer of Modernist architecture
Shulman died Wednesday at his L.A. home. One observer says he had 'a profound effect on the writing and teaching of architectural history ... especially Southern California modernism.'
By Claudia Luther

12:03 PM PDT, July 16, 2009

Julius Shulman, whose luminous photographs of homes and buildings brought fame to a number of mid-20th century Modernist architects and made him a household name in the architectural world, died Wednesday night. He was 98.

Shulman, who had been in declining health, died at his home in Los Angeles, according to gallery owner Craig Krull, who represented him.

Starting with Richard Neutra in 1936, Shulman's roster of clients read like a who's who of pioneering contemporary architecture: Rudolf M. Schindler, Gregory Ain, Frank Lloyd Wright, Charles Eames, Raphael S. Soriano, John Lautner, Eero Saarinen, Albert Frey, Pierre Koenig, Harwell Harris and many others. His work was contained in virtually every book published on Modernist architects.

"He has a sense of visual bravura of composition," wrote the late Robert Sobieszek, photography curator at the Los Angeles County Museum of Art, "so that he can take a rather mundane house and make it look exciting, and take a spectacular house and make it look triply spectacular."

Shulman had "a profound effect on the writing and teaching of architectural history and understanding architecture, especially Southern California modernism," said Thomas Hines, UCLA professor emeritus of architecture and urban design. And Newsweek magazine's Cathleen McGuigan wrote that some of Shulman's photographs of modern glass houses in Palm Springs and Los Angeles "are so redolent of the era in which they were built you can practically hear the Sinatra tunes wafting in the air and the ice clinking in the cocktail glasses."

After the Depression, Shulman's studio was one of three in the U.S. to which Arts & Architecture, Architectural Forum and other magazines turned to document the exciting new work being done in architecture. The others were Ezra Stoller's firm in New York and the Hedrich Blessing firm in Chicago.

Shulman's 1960 photograph of Koenig's Case Study House #22 -- a glass-walled, cantilevered structure hovering above the lights of Los Angeles, became one of the most famous architectural pictures ever taken in the U.S. It was, as architecture critic Paul Goldberger wrote in the New York Times, "one of those singular images that sum up an entire city at a moment in time."

But Shulman's work went well beyond merely taking beautiful pictures of houses and buildings. His mission was to use his photography to build the reputation of the architects who were bringing innovative design to the West. Indeed, his photographs were, by and large, all that most people would ever see of noted architects' works, many of which were later destroyed.

Neutra, whose association with Shulman lasted 34 years until the architect's death in 1970, acknowledged this.

"Film [is] stronger and good glossy prints are easier [to] ship than brute concrete, stainless steel or even ideas," Neutra said.

Shulman was born Oct. 10, 1910, in Brooklyn, N.Y., the son of Russian Jewish immigrants. Soon after his birth, the family moved to a farm in Connecticut, where they raised cows, grew corn and had a small fur business.

It was on the farm that Shulman first developed a love of nature that, he said, awakened him to light and shadow and influenced his life's course.

When Julius was 10, his father moved the family to the Boyle Heights neighborhood of Los Angeles, which at that time was predominantly Jewish, and opened the New York Dry Goods Store on Temple Street. His father died of tuberculosis in 1923, leaving Julius' mother to run the business and raise five children.

After graduating from Roosevelt High School -- where he took what would be his only course in photography -- Shulman spent seven years as what he called an "academic drifter," auditing geology, philosophy and other courses at UCLA and UC Berkeley. He returned to Los Angeles -- without a degree and still unsure what he wanted to do.

He was, by then, however, earning rent money from pictures he took at Berkeley with an Eastman box camera. And one photograph of the 6th Street Bridge over the L.A. River had won first prize in a national magazine competition.

It was a chance meeting with Neutra in March 1936 -- two weeks after Shulman left Berkeley -- that would open up the possibility of becoming an architectural photographer. A man who was renting a room from Shulman's sister, and who was working as a draftsman for Neutra, invited Shulman along one day to see Neutra's Kun house, which was under construction near Fairfax Avenue and Hollywood Boulevard.

As was his habit by then, Shulman took along a vest-pocket camera that was equipped with a bellows that unfolded.

"I had never seen a modern house before," Shulman said. It "intrigued me with its strange forms -- beyond any previous identity of a house in my experience."

Shulman developed a few of the pictures and sent them to the draftsman, who showed them to Neutra. The architect, then in his mid-40s, sent for young Shulman and ordered up more prints.

With Neutra's invitation to photograph other projects, Shulman was suddenly a professional architecture photographer....

(REST OF ARTICLE AT ABOVE LINK)

Sunday, July 12, 2009

Weird - Even Scary - G-Mail Experience.

I just sent an email and mentioned I have been hit by a bad case of my mold fungus allergy. Then when I sent it - rather than the screen going back to g-mail - it came back to a company that removed... mold fungus.

Scary, huh? Anyone else ever have that experience?

http://www.amoldspecialist.com/

Tuesday, June 30, 2009

National Archives of the Pacific Region To Be Hidden Away In Warehouse

Below is a warning from the Huntington Library's Carolyn Powell:

Notice to all researchers:

The current acting Archivist of the United States has proposed to close the Laguna Niguel branch of the National Archives and Records Administration (NARA) and move the materials to the Federal Record's Center in Perris (Riverside County). The Perris facility is a warehouse with no reading room. This proposal is part of a larger plan to reduce the number of National Archives branch facilities by closing some and turning others into "storefronts" with reading rooms only and off-site records storage.

Considerations:

NARA's Pacific Region (Laguna Niguel) has more than 35,000 cubic feet of archival holdings dating from about l850 to the l980s. In addition to textual records there are architectural drawings, maps, and photographs. These holdings were created or received by the Federal courts and over 50 Federal agencies in Arizona, southern California, and Clark County, Nevada. Federal law requires that agencies transfer permanently valuable, noncurrent records to NARA.

The National Archives facility in Laguna Niguel has been in its current location for over thirty years, since the early 1970s. From this location, researchers have easy access to National Archives records and can also conduct research at the many other archival facilities and libraries in Los Angeles, Orange, and San Diego counties.

There is no public transportation available to the facility in Perris. The current facility in Laguna Niguel is freeway-close and is serviced by the Orange County Transit Authority with connections to area Metrolink and Amtrak stations. It is 15 miles from John Wayne Airport (SNA).

The National Archives has a potential opportunity to move its Laguna Niguel facility to the proposed Orange County Great Park in Irvine, California, where it will be part of a museum district / cultural terrace. This location will be approximately 10 miles to the northwest of the current facility and will increase traffic and visibility for NARA (rather than the warehouse in Perris, which will likely do the opposite).

How You Can Help:

Write a letter of concern to: Adrienne Thomas, Acting Archivist of the United States, 8601 Adelphi Road, College Park, MD 20740-6001 (Fax: 301-837-0483).

If you live in Orange County, California, write a letter of concern to your Congressional representative as well.

Spread the news to others in the archival, historical, genealogical, and library fields to help garner support and generate more letters of concern to help keep the NARA facility in Laguna Niguel.

Contact Information:

National Archives - Laguna Niguel (Pacific Region), 24000 Avila Road, 1st Floor , Laguna Niguel, CA, 92677-3497

(949) 360-2640; laguna.archives@nara.gov; www.archives.gov/pacific/laguna/

Sunday, June 28, 2009

Have Any Of You Cowboys Ever Tried 'Hiving' Calves From A Herd? Well - That's What The New York Times Says We Do!

According to the New York Times, whenever it's branding time - and time to turn little bulls into little steers, all us cowboys take our best cutting horses to perform:

"...a timeless ritual, hiving off calves from the herd..."

Well, I've been on ranches in most of the Western states, though its been quite a few years since I have been accused of 'hiving' any calves - but I have never once heard that 'timeless' expression used before from any cattleman or woman.

So I looked up the phrase "hiving off calves" in GOOGLE and I got exactly - one... hit.

And that was from this article.

I then tried cows, cattle etc - and still failed to get a single hit. So I next tried every possible variation of the verb 'hiving' or 'to hive' with every possible variation of noun describing anything bovine in nature - and I still could not get a single hit.

Now the verb 'hiving' usually means when part of one bee hive swarms off and sets up its own hive. The verb 'hiving' can also mean to move any part of a group from the larger group, though mainly (though not always) it means to set up another residence and not just a temporary separation. It can also be used as a medical term.

But those are still very rare uses of the word - and even then it is mainly used in the UK - and not the US, much less the American West.

Now as far as the rest of the article - it is excellent as one would expect from one of the New York Times finest and most respected writers, Erik Eckholm. I can recall many articles of his over the years and I have read a number of his books.

This article is also a detailed and highly sympathetic look at one of the latest challenges facing independent ranchers - and I highly recommend anyone who is cattle minded reading it.

But, still... I would like to suggest to Mr. Eckholm - that in any of his future forays into our cowhand culture - whenever he is describing a "timeless ritual" of us cowboys - that he might try for a slightly more... timeless... way of describing what it is we are doing.

Friday, June 26, 2009

MOCA Starts Its Comeback

First, the above link is to the LA Times post on the MOCA financial story and below is the full press release on the current financial status at MOCA and the announcement of its new trustees and officers for 2010. MOCA has managed to raise over fifty-seven million in just six months (with over eighteen million from the trustees and three million from other patrons) in difficult financial times and when the museum's continued existence was questioned by even many board members.

Significantly, the amount raised by trustees and patrons almost equals the thirty-million Eli Broad has pledged to MOCA over a period of five years - in just one half of one year.


FOR IMMEDIATE RELEASE
Friday, June 26, 2009

MOCA RAISES $57 MILLION, CONTRIBUTES $8.5 MILLION TO ENDOWMENT
ASSETS; NAMES THREE NEW BOARD MEMBERS AND OFFICERS FOR 2010

Los Angeles, CA—The Museum of Contemporary Art, Los Angeles (MOCA), has raised nearly $57 million in the
last six months, and the museum’s Board of Trustees voted June 25 to contribute $4.25 million to MOCA’s
endowment assets, which will be matched by The Eli and Edythe Broad Foundation, for a total $8.5 million
contribution. Additionally, the Board elected three new trustees and its officers for 2010.

Since December 2008, MOCA has undertaken an aggressive fundraising campaign, raising $56.9 million, including
$15 million from The Broad Foundation for exhibition support over five years and $15 million from The Broad
Foundation to match contributions that replenish the endowment. Other notable gifts include $16.4 million from
trustees, in addition to their $1.9 million in annual giving, and $3 million in individual gifts from patrons.

“This is the biggest turnaround of any cultural institution in recent history,” said Eli Broad, a life trustee and
founding member of MOCA, who serves on numerous arts boards around the country. “MOCA has attracted nearly
$57 million in just six months, clearly demonstrating this institution’s importance to the local, national, and
worldwide arts community.”

In addition to MOCA’s dramatic turnaround, the Board elected three new members: Carolyn Clark Powers, Darren
Star, and Marc I. Stern. The board also elected its leadership for the upcoming year: David G. Johnson was re-elected
as co-chair for a second term; Maria Arena Bell was elected as co-chair; Jeffrey Soros was re-elected as president for a
second term, and Fred Sands was elected as vice chair.

“I am pleased that we have enabled a successful turnaround in such a short amount of time,” said MOCA Chief
Executive Officer Dr. Charles E. Young. “The process of right-sizing the institution has not been easy, but these
changes were necessary to ensure the museum’s solid future. This could not have been achieved without the
continuing generosity of The Broad Foundation, the Board of Trustees, major donors and members, as well as the
dedication of the many artists and friends in both the Los Angeles community and around the world.”

“MOCA has achieved an unprecedented level of fundraising during the past six months, while at the same time
reducing expenditures to a sustainable level,” said David G. Johnson. “We are making a substantial contribution to
the endowment assets at this critical time and welcome new trustees, who bring exceptional experience and
commitment to MOCA. Building a dynamic board of trustees is essential in enabling the museum to move forward
with a clear vision for the future and to continue presenting outstanding exhibitions, providing vital education
programs, and expanding one of the most important collections of contemporary art in the world.”
- more -

MOCA RAISES $57 MILLION, CONTRIBUTES $8.5 MILLION TO ENDOWMENT ASSETS; NAMES THREE
NEW BOARD MEMBERS AND OFFICERS FOR 2010

Page 2 of 4

The three new Trustees bring diverse perspectives to MOCA’s Board.

Carolyn Clark Powers has a strong history of involvement at numerous arts, cultural, and educational institutions
around the country. In Aspen, Colorado, Powers serves on the boards of directors of the Aspen Art Museum, the
Aspen Santa Fe Ballet, and Jazz Aspen Snowmass. She also serves on the National Council for the Aspen Center for
Integrative Health, as a President Society Fellow at the Aspen Institute, and on the National Council of the Aspen
Youth Center. In Los Angeles, Powers currently serves on several groups that support the Music Center, including
the board of directors for Blue Ribbon, the Center Dance Association, and the board of overseers for the Los Angeles
Philharmonic. She also serves on the Collectors Committee and is a member of the Presidents Circle at The Los
Angeles County Museum of Art. In addition, Powers has served on the board of directors of P.S. Arts since 2006.
At the Kennedy Center in Washington, D.C., Powers served on the executive committee of the National Committee
for the Performing Arts from 2004–08.

Powers has a Bachelor of Business Administration in finance from the University of Oklahoma and a master’s degree
in clinical psychology from Antioch University. Powers and her husband, William C. Powers, reside in Manhattan
Beach, California, and in Aspen, Colorado, with their three children.

Darren Star has been a member of MOCA’s Acquisition and Collection Committee since October 2008 and a
MOCA Partner since February 2008. He has also been a major supporter of MOCA’s annual auction.

Star is the creator and executive producer of three of the last decade’s most popular television phenomenons:
“Beverly Hills, 90210,” “Melrose Place,” and the three-time Golden Globe®-and Emmy® Award-winning HBO
comedy series “Sex and the City.” In each series, Star’s multi-dimensional characters, captivating settings, and
layered plot lines hooked viewers, and became significant elements of contemporary pop culture. Star recently
released the “Sex and the City” film, based on his award-winning work on the series. The movie grossed more than
$415 million worldwide, and a sequel is in development. In addition, Star served as executive producer of the series
“Cashmere Mafia,” starring the award-winning actresses Lucy Liu, Frances O’Connor, and Miranda Otto. Star has
also revisited the widely popular “90210” project, serving as a writer for the updated series for the CW network. He
is currently working on a project for HBO.

Star’s dedication to his projects speaks to his commitment to engaging, and thought-provoking material. Star
attended the University of California, Los Angeles, where he majored in creative writing. Star currently lives in
Beverly Hills, California.



- more -



MOCA RAISES $57 MILLION, CONTRIBUTES $8.5 MILLION TO ENDOWMENT ASSETS; NAMES THREE
NEW BOARD MEMBERS AND OFFICERS FOR 2010

Page 3 of 4

Marc I. Stern has vast experience in business and as a major supporter of cultural institutions in California and
around the country. Stern is vice chairman and at the end of June will become CEO of The TCW Group, Inc., an asset
management firm based in Los Angeles. Prior to his appointment as vice chairman, Stern served for almost 15 years as
president of the company. Stern is also chairman of SociĂ©tĂ© GĂ©nĂ©rale’s Global Investment Management and Services
in North America (GIMS) and a member of the management committee of Société Générale Group, the parent company
of GIMS and TCW. Stern currently serves as a director of Qualcomm, Inc. (NASDAQ), and of Rockefeller & Co., Inc.
and is a member of the advisory board and an owner of the Milwaukee Brewers. Stern has a strong commitment to the
arts and to education. He serves as chairman and CEO of the Los Angeles Opera, leading the drive to bring
Wagner’s Ring Cycle to Los Angeles. He also sits on the boards of the Performing Arts Center of Los Angeles
County, the John F. Kennedy Center for the Performing Arts, the President’s Committee on the Arts and the
Humanities, the California Science Center, the Aspen Music Festival and School, the California Institute of
Technology, and Dickinson College in Carlisle, Pennsylvania.

A native of Vineland, New Jersey, Stern received a bachelor’s degree in political science and history from Dickinson
College and a master’s degree in government and a law degree from Columbia University. Stern and his wife, Eva,
reside in Malibu, California. They have two children and five grandchildren.

MOCA’s new board leadership for 2009–10 includes two previous officers and two first-time officers.

David G. Johnson has served as co-chair of MOCA’s Board of Trustees since June 2008, and he will continue
serving in this role through June 2010. He was first elected to serve as a MOCA Trustee in December 2005 and has
served as a member of the Acquisition and Collection Committee since 2004.

Johnson is a partner of the Johnson-Roessler Company, LLC., a film entertainment company. He also serves on the
boards of Children Now, the Dream Foundation, KCET, and Reach Out and Read. Johnson is former chairman and a
current board member of Public Counsel Law Center and is a member of the Los Angeles Mayor’s Economy and Jobs
Committee and the California Council for the Humanities. He is a graduate of Yale College and Harvard Law School.
Johnson and his wife, Suzanne Nora Johnson, reside in Los Angeles, California.

Maria Arena Bell has been elected co-chair of MOCA. Bell and her husband, William J. Bell, Jr., have been involved
with MOCA for many years and have made significant financial and art contributions to the museum. Bell is chair of
MOCA’s Acquisition and Collection Committee. She also served as the chair of the Opening Gala for ©
MURAKAMI. Maria Bell became a Trustee in 2008 after her husband served from 1997–2008.

Bell is a television executive producer and writer. She is currently the co-creative producer and writer for “The
Young and the Restless.” She is a frequent essayist and contributor to publications including T The New York Times
Style Magazine, C Magazine, Aspen Magazine, and Women’s Wear Daily. Bell serves on the boards of numerous
arts-related non-profit organizations, including Center Dance Arts, Americans for the Arts, Dicapo Opera Theater
and as president of PS Arts. She also serves on the Education Committee of the Guggenheim Museum, the Blue
Ribbon, the National Council of the Aspen Art Museum, the Hirshhorn Museum and Sculpture Garden, and the
advisory board of Phillips de Pury & Company. Bell was appointed by Governer Arnold Schwarzenegger as a state
commissioner on the California Commission on the Status of Women.
- more -
MOCA RAISES $57 MILLION, CONTRIBUTES $8.5 MILLION TO ENDOWMENT ASSETS; NAMES THREE
NEW BOARD MEMBERS AND OFFICERS FOR 2010

Page 4 of 4

In addition to being prominent supporters of the arts, the Bells are active collectors of contemporary art. They reside
in Bel Air, California with their two children.

Jeffrey Soros has served as president of MOCA’s Board of Trustees since June 2008 and will continue in this role
through June 2010. Soros has served on MOCA’s Board and on its Acquisition and Collection Committee since
2003. Soros is also an avid supporter of arts education and served as chair of MOCA’s Education Committee from
September 2006 through June 2008 and as vice chair from September 2005 through September 2006. Soros and his
wife, Catherine, have been avid supporters of MOCA, through the donation of funds, artworks, and major support for
the museum’s fundraising events, most notably the annual auction and gala.

Soros is president of Considered Entertainment, an independent film production and finance company. He also
serves on the boards of Creative Capital, The Screenwriters Colony, and The Paul and Daisy Soros Fellowship for
New Americans. Soros and his wife have been members of the MOCA Director’s Forum since 1997. They reside in
West Hollywood, California with their two children.

Fred Sands has been appointed to serve as vice chair of MOCA’s Board. Sands was first elected as a trustee in 2002
and currently serves as chair of the museum’s Investment Committee. Sands is involved with several cultural
institutions in Los Angeles, including the Los Angeles Opera, where he serves on the board. He was also
appointed by President George W. Bush to the President’s Advisory Committee on the Arts and liaison to the
Kennedy Center, and by Governor Arnold Schwarzenegger to the California Arts Council.

Sands is chairman of Vintage Real Estate, which develops regional malls, and of Vintage Fund Management, LLC, a
private equity fund. He is the former chairman and sole shareholder of the second largest real estate and financial
services companies in California and the seventh largest in the United States, which merged into Coldwell Banker in
December 2000. Sands’s background also includes acquisition and turn around of distressed companies, including
radio stations, insurance companies, and commercial real estate projects. He was honored as the recipient of the
American Academy of Achievement Award, was named one of the “Top 25 CEOs of the Decade” by California
Business magazine, and named one of the industry’s top 13 “Movers and Shakers” in the country by the National
Association of Realtors. Sands and his wife, Carla, reside in West Los Angeles, California.



MOCA—Celebrating 30 Years as the Nation’s Leading Contemporary Art Museum
Founded in 1979, The Museum of Contemporary Art, Los Angeles (MOCA), has achieved astonishing growth in its brief history—with three
Los Angeles locations of architectural renown; more than 17,000 members; a permanent collection of nearly 6,000 works international in
scope and among the finest in the nation; hallmark education programs that are widely emulated; award-winning publications that present
original scholarship; and groundbreaking monographic, touring, and thematic exhibitions of international repute that survey the art of our time.
MOCA’s mission is to be the defining museum of contemporary art. MOCA is a private not-for-profit institution supported by its members,
corporate and foundation support, government grants, and admission revenues. MOCA Grand Avenue is open 11am to 5pm on Monday and
Friday; 11am to 8pm on Thursday; 11am to 6pm on Saturday and Sunday; and closed on Tuesday and Wednesday. General admission is $10
for adults; $5 for students with I.D. and seniors (65+); and free for MOCA members, children under 12, and everyone on Thursdays from 5pm
to 8pm, courtesy of Wells Fargo. MOCA Pacific Design Center is open 11am to 5pm Tuesday through Friday; 11am to 6pm on Saturday and
Sunday; and closed on Monday. Admission to MOCA Pacific Design Center is always free. The Geffen Contemporary is open whenever there
are appropriate exhibitions for that space. For 24-hour information on current exhibitions, education programs, and special events, call
213/626-6222 or access MOCA online at moca.org.

Tuesday, June 23, 2009

National Home Sales In May Rise - And Fall - With Five Different Figures - In Morning LA Times

Below are two of the top three headlines on the LA Times website's Business section:

BUSINESS »

U.S. home sales fall in May despite low prices and tax incentives


Home resales in U.S. rise 2.4% in May to 4.77 million rate

Now the 3.6% fall in the Peter Hong LAT article is from May of last year to May of this year - while the increase of 2.4% in the Bloomberg wire report is from the prior month of April of this year to May of this year.

Even more confusing is that the Bloomberg prices are going up article has a typo when it mentioned the 3.6% fall:

"Sales were 3.6 percent compared with a year earlier."

Yes, according to Bloomberg - sales this May were only 3.6% of May of last year - a staggering over 95% decline in sales!

Also in Bloomberg's LAT wire piece are details of the yearly 2.4% increase:

"Purchases increased 2.4 percent to an annual rate of 4.77 million, lower than forecast, the National Association of Realtors said today in Washington"

Then in Peter Hong's LAT piece, he leads with the 3.6% year to year decline and he explains how that figure is arrived at:

"May home sales were down 3.6% from the same month last year, the National Assn. of Realtors reported. The industry group based that figure on the seasonally adjusted annual rate of home sales, which is the number of homes that would sell for the entire year based on May's sales rate."

Hong then addresses the April to May increase - but he now uses a different set of figures - the absolute number of sales that month as opposed to the adjusting the stats on an annual basis, which he does explain :

"The total number of homes sold in May was 451,000, or 6.6% below the year-earlier number, but it was up 9.2% from the 413,000 homes sold in April."

So now instead of the 3.6% decline - and the 2.4% increase - we now have 6.6% and 9.2%! And the scary point is - other than the typo - all of these figures are correct!

They are just using different metrics.

Now as for how all this confusion could have been prevented - Peter Hong's piece had more details and a better explanation to a lay person of what was really going on and how the various figures compared with each other. There was really no need to run the Bloomberg piece which just confused the issue. At most, the additional figures also in the Bloomberg article could have been added to the Hong piece - which would have left everyone a lot less confused then the present dueling headlines.

Sunday, June 14, 2009

Why Isn't The US - And World Press - Headling The London Times Story Proving the Election In Iran Was Stolen?

And why did the London Times bury this is the middle of their story - and give so few details of the poll?

"Private polling of 5,000 voters conducted for the supreme leader, Ayatollah Ali Khamenei, and seen by The Sunday Times, suggested the reformist candidate would win at least 58% of votes across Iran. However, the official result gave him just under 34%."


This proves who has fixed this election. This story needs to be gotten to the people of Iran. But even the paper that has the story - has dropped it from the new stories

They also don't break down the figures for the other candidates. The US and world press needs to keep the facts of how this election was stolen on their front pages and and give support to the people of Iran in their efforts to overturn this election.

Thursday, June 11, 2009

LA Times Covers Rebirth Of Downtown's Main Street

http://www.latimes.com/news/local/la-me-main-street11-2009jun11,0,4047200.story
From the Los Angeles Times
Ordinance brings new life into downtown L.A.'s Main Street
The stretch between 4th and 6th was once the scene of homeless encampments. Today, boutiques and cafes cater to new residents. The catalyst was the adaptive reuse ordinance, launched 10 years ago.
By Cara Mia DiMassa

9:54 PM PDT, June 10, 2009

A decade ago, the stretch of downtown L.A.'s Main Street between 4th and 6th streets was a desolate collection of empty buildings and homeless encampments, an area where drug dealing was conducted in the open, and the only longtime residents lived in residential hotels. These days, that stretch resembles a bustling small-town main street.

There's the neighborhood bookstore, where an attentive shopkeeper knows her customers by name. A DVD store that stocks the kind of films that appeal to the hip residents who live in the building upstairs. And shop owners and customers who live side by side above the stores.

While much of downtown is struggling to attract the kind of ground-floor retail that many urbanists say is essential to turning a cluster of residential units into something more like a neighborhood, downtown's historic core has been seeing a surge forward lately.

Some downtown boosters who track such developments say that the vast majority of retail space along Main Street, from 4th to 7th Street, is now leased -- an accomplishment that they are touting as a sign of the neighborhood's successful reinvention.

The changes along Main Street -- and in downtown's historic core in general -- were launched 10 years ago this month, when a new city ordinance went into effect that made it easier to convert former bank, office and industrial buildings into residential and small retail spaces.

The ordinance was little noticed at the time. But the adaptive reuse ordinance, as it is known, has profoundly changed the way the city thinks about its long-neglected urban center. It streamlined the city's permitting process for those seeking to re-purpose the old buildings and allowed for flexibility in the city's zoning and code requirements.

"After decades of beating a dead horse, they realized that commercial was not going to come back to this neighborhood the way it was," said Bert Green, owner of an art gallery at 5th and Main. "It made sense to change the use of the buildings."

In 1999, downtown Los Angeles was an area very much in transition. The Staples Center had just opened. Walt Disney Concert Hall, L.A. Live and other downtown attractions were still years away from opening. Only 18,000 people lived in the city center.

"We had offices, we had some cultural attractions," said Carol Schatz, president and chief executive of the Central City Assn., a business advocacy group that pushed for the change. "But the one thing that we knew we needed to make downtown survive and thrive was residents."

While bigger, more extravagant projects for downtown were announced, and some even got underway, Historic Downtown kept plugging away.

"It may have been constructed," said developer Tom Gilmore, who many credit as the architect of the historic core's reinvention, "but it's not contrived."

Apartments and lofts in buildings were rented; some condos sold and retail spaces slowly began to fill along both Main and Spring streets. An art walk highlighted the assortment of galleries in the area. Restaurants began to draw people from beyond downtown.

"The community was organically grown by seeing what was needed and what could survive as destination retail," said Brady Westwater, a local activist and the former president of the Downtown L.A. Neighborhood Council, who has been instrumental in bringing businesses to the area.

Still, life in Historic Downtown is not for everyone. The area, just a few blocks away from Skid Row, continues to be a magnet for the homeless. It is still gritty and lacks the sort of luxurious high rises as other parts of the city center.

But even as other parts of downtown have seen some large-scale projects canceled and other condo developments switch to rentals as a way to ride out the economic storm, Historic Downtown has continued to collect new businesses: clothing stores, restaurants, bars and other amenities. Two new affordable housing projects are being developed.

Residents and shop owners in the area say that the relatively low cost of space in the area, combined with a certain amount of flexibility, has allowed them to take a chance in the area.

Jose Caballer, who lives in Gilmore's San Fernando building and runs a digital design firm out of an old bank building a few doors to the west, said that part of the appeal of the area is that it's like a sort of undiscovered country. "You can go and look at buildings and say, I want to do events here. If you are creative and resourceful enough . . . you can do it."

Brittany Hoa Pham, owner of Fremont clothing, said that her location along 4th Street has meant that, "We get an interesting group of people." But she admits that "once in a while, a homeless man or woman comes in and frightens me."

The challenge now for Historic Downtown, said Gilmore, is "how we end up a sustainable neighborhood, not a flash in the pan."

That's something that has been taking up a lot of Westwater's time recently.

After seeing success along Main and Spring streets, he has turned his attention to Broadway, where recent community efforts have focused on finding new uses for a collection of old movie houses and retail and office space along the street.

"We showed we could fix Main Street," he said. "Now, the challenge of developing a Broadway that works for everyone is the next step."

cara.dimassa@latimes.com

Sunday, June 07, 2009

Bernard Zimmerman, FAIA RIP

Few people loved architecture and Los Angeles as passionately as did Bernard Zimmerman - and none more than he did. I first met him in the successful fight to save John Marshall High School and later during countless AIA functions and events. Below is the memorial notice from the AIA:

Our beloved Bernard Zimmerman, FAIA, peacefully passed away on Thursday, June 4th. His family cordially invites you to be present at Bernard's funeral service. The service will commence on Monday, June 8th at 12 noon at Mount Sinai Hollywood Hills, 5950 Forest Lawn Drive,
Los Angeles, CA.

Following the service, you are invited to a reception to celebrate Bernards legacy at Temple Sinai of Glendale, 1212 N. Pacific Avenue, Glendale, CA. Food will be provided at the reception.

Map and directions here.


Bernard Zimmerman: The Conscience of the Architectural Profession

Bernard Zimmerman, FAIA, Architect, Planner and esteemed Professor of Architectural Design at the California State Polytechnic University, Pomona, Department of Architecture of which he was a founder, passed away on June 4th, after a long illness, at his home in Los Angeles. He was 79.

In honor of his "selfless and relentless love of architecture and design excellence, and the tremendous effect, over many decades, of that passion on the life and culture of Los Angeles, its architects, students and its architecture," the American Institute of Architects/Los Angeles recognized Zimmerman's many contributions by honoring him with a Lifetime Achievement Award, in 1999. By way of introduction, Ray Kappe, FAIA, Founder of the Southern California Institute of Architecture SCI-ARC, stated: "During the last 50 years no architect has been as concerned about the state of architecture in our city as Bernard. No one has been more concerned about the education of our future architects than Bernard. Throughout his lifetime, he has unsparingly donated his time and energy to further and promote the professional status of American architects and architecture, particularly Los Angeles architects and their architecture."

Bernard Zimmerman was a leading practitioner of architecture for over 40 years. He was president of Zimmerman Architects and Planners, and was a partner in the Collaborative for Environmental Design, Pulliam Zimmerman & Matthews, Zimmerman & Robbins Architects and Zimmerman/Stafford Architects. He was previously associated with Richard Neutra Architects, Welton Beckett & Associates, Victor Gruen Associates and Daniel, Mann, Johnson & Mendenhall. Mr. Zimmerman was involved with a wide range of architectural and city planning projects including: the IBM Pavilion, Osaka, Japan; Citrus restaurant, Los Angeles; Twin Towers, Century City; Bunker Hill, Los Angeles; Old Town Pasadena; Olympic Building, Los Angeles; Sunset and Vine Tower, Hollywood; Case Study House #29, Silverlake; Simon Wiesenthal Center and the Museum of Tolerance, Los Angeles. He made a special contribution in the area of chain stores such as Zeidler & Zeidler Men's Stores and Standard Shoes, by elevating the level of design, architecturally and graphically. His work has been published in national and international design reviews such as "Arts & Architecture", "Architectural Record", "Domus", "L'Arca" and "Progressive Architecture".

Throughout his career, Bernard Zimmerman vigorously expressed his social and design concerns through dialogue with national and international architects and organizations, an active involvement on a local and national level with the American Institute of Architects, and numerous community projects. He created and directed the AIA "Architectural Panel" in the 1950's, the first organization to offer exciting and important public programs in Los Angeles. Through the 1960's, he chaired the AIA Program Committee. The most important program he created was the "Masters of Architecture" lecture series, founded in 1991. It is held annually at Los Angeles County Museum of Art, and is a very successful collaboration between LACMA and AIA/LA, to which the public is invited.

In 1999 he conceived the "9 in 99" Conference held at the Museum of Contemporary Art (MOCA), featuring outstanding architectural thinkers, sharing "Big Ideas" for Los Angeles.

He was a board member of "Architects, Designers & Planners for Social Responsibility", and founder of "Architecture for Peace". He successfully provided leadership and generated support for countless committee initiatives to benefit threatened Los Angeles landmarks, such as the Angels Flight, the Dodge House, Hazard Park, Marshall High School, the Hollywood Sign, the Schindler Kings Road House and the Watts Towers. The "Citizens Committee to Build the Disney Concert Hall" which he spearheaded provided the incentive for the subsequent successful fund raising campaign.

Exhibitions on the work of Los Angeles architects and designers, conceived and directed by Bernard Zimmerman include: "Roots of California Architecture", "Irving Gill Architect", "Felix Candela Architect & Engineer", "Project Environment USA", "74 + 74: Best in the West", "Los Angeles 12", "L.A. 12+12+2", "L.A. 12+12+12", "Los Angeles: City on the Move", "100 Projects/100 Years" and "101 New Blood". These exhibitions were shown at venues such as the Milan Triennale in Italy, Pacific Design Center and the Yale University School of Art and Architecture Gallery. In the more recent exhibits, working with a younger generation of architects and designers, helping them to organize exhibits of their architecture, he had the amazing ability to inspire and energize them as he had energized his students throughout his years of teaching, which was so important to him.

A graduate of the UC Berkeley School of Architecture, Bernard Zimmerman was a Fellow of the American Institute of Architects. He completed his Masters in Planning at the University of Southern California (USC). He was a member of the American Planning Association and of USC's Architectural Guild that honored him in 2003 as "a Distinguished Alumnus who has enriched and honored the profession of Architecture". He was recognized by Mayor Tom Bradley for his architectural, planning and exhibit work. He was interviewed on PBS by Maya Angelou on the state of architecture and urban design in 1975, for the series "Humanities Through the Arts". As a founder of the Architecture for Peace, he traveled to Russia on a Peace Mission in 1978 and was subsequently honored with an invitation to the White House for the celebration of the Peace Accord between President Ronald Reagan and Mikhail Gorbachov. In 1995, he was inducted as one of Pacific Design Center's "Stars of Design". The Los Angeles Institute of Architecture & Design (LAIAD) that opened in 2001 was also co-founded by Bernard Zimmerman. One of the last Zimmerman inspired ideas was to establish the Architecture + Design Museum, located across the street from LACMA.

Bernard Zimmerman was an irreplaceable human being, who has touched so many of our lives. He will be greatly missed, and forever remembered as a passionate advocate for the profession.

The funeral will be held at Mt. Sinai Memorial Park, 5950 Forrest Lawn Drive, in Griffith Park, on Monday, June 8th at 12:00 noon. A memorial is also being planned, to be announced.

Bernard Zimmerman is survived by his sons Eric, Josef and Derek; their wives Adela, Mamie, and Tamara; his daughter, Karla, her husband, Tom; his six grandchildren Katelyn, Kimberly, Kassandra, Thomas, Siren and Elijah; and a host of loving friends.

Saturday, June 06, 2009

LA Times Confuses Wilshire District/Koreatown With Westlake District - With - Downtown!

Whenever I see a headline on the LA Times website about a shooting near Downtown - I always fear for the worst.

Not for the victims - though I do worry about them - but at how wrong the headline usually is. And this time - near Downtown - is... supposedly... at 6th and Virgil - which is just before Vermont. And that is a lot nearer to Hollywood than Downtown. It is also in the heart of the Wilshire District, parts of which are often called Koreatown.

But that area is mistakenly - called Westlake - on new new Times map - nothing even near it has never been called since Westlake - and Westlake historically ended at the east side Westlake/McArthur Park itself. Wilshire started at the park - and that is where the Wilshire District started.

And even today - if you want to use non-historical demographic date - the furthest west Westlake can be said to go is Rampart since the demographics of population living starting just west of Rampart is far more like as the rest of the Wilshire District and Koreatown then the demographics of the true Westlake - east of the Park.

The article also says the shooting took place just west of McArthur Park - which it did not - it took place just west of Lafayette Park - which is itself - well west of the Westlake District which is west of Pico-Union which is west of Downtown. And that neighborhood is not a low income community as stated in the article. It is largely a middle class area with many condos and even several streets of upper middle class single family homes.

And, of course, none of these areas are adjacent... much less near.... to Downtown.

Two wounded in shooting near downtown L.A.
5:20 PM | June 6, 2009
At least two people have been wounded in a shooting in Westlake and one person has been arrested, authorities said.

Police are searching for additional suspects, said LAPD Officer Jason Lee. The shooting occurred today shortly before 4 p.m. at 6th Street and Virgil Avenue, where a fight had broken out between two groups of men, Lee said.

By late afternoon, the intersection had been blocked off as police interviewed possible witnesses. Dogs were helping officers search for additional suspects as a police helicopter circled overhead. About two dozen helmeted officers stood by near a command post that had been set up in the neighborhood.

The shootings occurred in a low-income community in Westlake just west of MacArthur Park.

--Ruben Vives and Robert Lopez

Saturday, May 16, 2009

Sleeping With The Dead

It took awhile after I woke up late Friday morning before I realized it was… Friday and not Thursday.

And that realization was only possible after I first ruled out it being Wednesday since I didn’t recall much of that day either. But that’s how mornings are when one is still getting used to a life filled with extended periods of sleep separated only by brief and often barely remembered moments of transitory wakefulness.

But then I realized something more. I had just slept though Art Walk. Both the day of it and the night. I had missed my first Art Walk since our inaugural event at which 17 of us - which is one of two or three official head counts - first showed up so seemingly many years ago.

I then realized I didn’t know if the new restaurant owners I had helped with their utility problem at 5th and Main got their lights so they could have their doors open on Art Walk night to say hi to all their new neighbors. Nor did I know how the brand new Art Annex at the Farmer’s and Merchant's Bank did. And I also didn't how the ladies with the 3-Day pop-up store in the Annex filled with hats, purses and jewelry - whom I had brought there to try out Main Street before they opened new a store of their own in our latest Main Street incubator – had fared.

I equally had no idea what had happened at the still new vendor’s parking lot or how the local band was in their new place or anything about any of the dozens of other places, events and people that make up our community of Art Walk other than knowing that – one way or the other – it all managed to work out.

So I did the only thing I could do.

I went back to sleep.

And I dreamed of cowboy days and fighting nights and a time when my brain had more dopamine than sense. And I silently smiled and awaited the day I would soon be happily back with them all in the longest sleep of them all.

Friday, May 01, 2009

Communities Come Together to Celebrate Lesley Taplin

The above link at blogdowntown describes the Lesley Gilb Taplin Memorial Celebration last night at Vibiana. At some point I will be able to write about Lesley and what she meant to all of us Downtown, but not quite yet.

Thursday, April 30, 2009

Dopamine, Dopamine, Dopamine

My brain's life long craving for dopamine has finally run out of options.

Meanwhile, I keep intending to lay out the whole history of that battle online to see if there is any doctor out there who has ever seen a case like mine - and who might know if there is anything that can be done about it.

The reality today, though, is that the last drug that worked well enough for me to be something resembling normal stopped working so long ago, I can't even recall when that was.

The last drug that did anything to help me maintain a level of 'alertness' finally stopped last summer. Next, a couple weeks ago, the last drug that even kept me awake stopped working.

And then when one drug yesterday seemed to be able to keep me awake, it turns out to spiked my blood pressure by over a hundred points within hours of my taking it. Or at least that seems to be how high by blood pressure jumped when I was out last night based on my blood pressure today that many hours after taking the drug. My actual memories of last night, though, are ... shall we say.... close to non-existant.

And the hope that I would be able to somehow activate my 'fight or flight' syndrome and wrestle my way out of my problems - as was predicted by Thelma Moss of UCLA back in 1966 - now seems to be a hopeless one as finding the right sparring partners at the same time my body is injury free enough to grapple, seems to be an impossible equation.

So this post is just to goad me into finally laying out the whole story of this dopamine battle in the hopes that some doctor somewhere - will have treated someone like me and have some idea of what to do next. And... hopefully... I can stay awake enough over the next week to do that.

Wednesday, April 22, 2009

LA Weekly On LA Cowboy As One of LA's 100 People!

LA PEOPLE 2009: URBAN COWBOY — BRADY WESTWATER
BY LINDA IMMEDIATO
Published on April 20, 2009 at 4:35pm
At a BOXeight Fashion Week show, you expect to find the standard batch of bony models, fashion-forward magazine editors and flamboyant buyers, but who’s the silver-bearded cowboy? That’s Brady Westwater, a.k.a the L.A. Cowboy, director of Economic Development for BOXeight. He was instrumental in getting the event off the ground. If he seems slightly out of place runway-side, Westwater is right at home downtown, where nearly every resident and business owner knows who he is. They call him “the unofficial mayor of downtown,” or the “go-to guy.”

Westwater serves pro bono on 29 boards and committees, but much of his day to day is spent doing what he calls, “curating downtown.” The nonpaying job involves a lot of leg work. On a recent weekday, we snake up and down Main, Spring and Broadway, for blocks on end, as he makes his usual rounds.

“I walk around, see what’s happening, ask business owners what they need, if they have any problems, see who’s new to the neighborhood,” he says, taking strides at a steady clip. “This is a place where the impossible happens every day. We’re the only neighborhood where businesses are still expanding. We’re bringing in new business. Of the 50 business I brought downtown, every single one of them survived.”

When Westwater says he “brought” businesses, he means everything from leaking the availability of a space to the right people before it goes on the market and advertising on craigslist to handling the responses and actually brokering a lease. “I hear about people who need a certain space, or people who have a certain space, and then I refer them, or negotiate the lease. It’s a lot of referrals. Did you know there are actually only three people in L.A.?” He laughs. “The rest is done with mirrors.”

Curating downtown, creating the perfect resident-business symbiosis for an organic vibrant artistic community, is a labor of love for Westwater, who has spent his entire life downtown. His father’s law office was on Third and Spring. “All the theaters on Broadway and the department stores were still open,” he says, scanning the old buildings. “I’m the last of the generation who remembers that.”

Along our sidewalk travels, one business owner puts in a request for a public parking structure, another asks about a vacant building, then someone else asks if Westwater knows where to get cheap mannequins. At a 9,000-square-foot space Westwater calls the “incubator,” leaseholder Jose Caballer comes out to say hello. “The city owes a lot to Brady,” he says. “I don’t know how they’re ever gonna pay him back. I guess his legacy will be in the history books.”

Westwater has a real-estate license but doesn’t use it, and refuses to take any money for connecting the dots. That has to do with living the cowboy way, an ethos he adopted one fateful night when he was 17. He had decided to drive to Owens Valley. He wasn’t sure why, but something told him to go. On the way, he picked up a hitchhiker, a man 6 feet 2 inches and about as wide. They got drunk and became fast friends, and the evening ended with Westwater losing his virginity in a brothel in Nevada. He became a part of this man’s posse, with whom he earned a living catching and breaking wild horses in Wyoming and Montana, repossessing airplanes in South America, and traveling the underground street-fighting circuit to Turkey and India. Part of the cowboy way is to be an independent contractor, a free agent, and Westwater, who roams downtown L.A. like it’s his own Ponderosa, has never had a steady job or been on a payroll. “The cowboy life,” he says, “ is just adventure. Every morning waking up and talking life.”

Thursday, April 16, 2009

LA Times Hosts LA Cowboy And LA Observed

When I walked into LA Times event last night, one of the first people I saw was frequent LA Times critic - LA Observed's Kevin Roderick. I then wondered if someone's head was going to roll in the morning once the powers that be realized someone had invited not just one of us - but both of us to the LA Times forum featuring Governor Arnold Schwarzenegger.

But all the appropriate authorities seemed friendly enough when they greeted us, so hopefully there will be no more LA Times layoffs - at least this week.

As for what happened when LAT Opinion Editor James Newton interviewed Arnold - the above link will detail that - along with showing a photo of Bob Hertzberg - aka 'Huggy Bear' - hugging the Governator.

I, however, got a sharp punch in the shoulder from the former speaker of the Assembly when he greeted me in the buffet line - since his right hand was filled with Italian spring rolls. I then retaliated with a stiff left jab - and made my get away.

I next tracked down a number of people from the business community and the green movement to ask them each about their true, off the record, opinion of the Mayor's proposed Green Tech manufacturing corridor along the LA River. Strictly off the record - they each used the term - bull shit. I then asked them if they had told the Mayor or his staff that - and they all looked at me as if I had just landed from the planet Mars.

Finally, just before we went into the room to hear the speakers, I was cornered by UCLA Chancellor Gene Block - and one of his henchmen - and they politely demanded of me why I was wearing a Bruins Wrestling sweat shirt - and why was said shirt in red and gold - which are the USC colors.

I equally politely replied that I was a second generation - on both sides of my family - Bruin - but that I now lived in occupied USC - i.e., Downtown LA - territory. So once I saw this shirt on e-bay - I knew I had to get it just to screw with everyone's minds.

And so far - my plan has succeeded beyond my wildest expectations.

Wednesday, April 15, 2009

DLANC Founder and Friend Lesley Taplin Killed In Car Crash

One of the founders of the Downtown Los Angeles Neighborhood Council, Lesley was killed early Tuesday morning in a car crash. The neighborhood council movement, all of Downtown - and every person who knew her had no greater - or more supportive or more loyal friend. There is so much more I would love to say about her - but I am still in too much shock to even believe she is no longer with us.


From: "Qathryn Brehm"
Date: Tue, 14 Apr 2009 23:19:16 -0700

To: Qathryn
Subject: Lesley Gilb Taplin
Friends,



It is with a heavy heart I pass on the news of our friend, Lesley, who was killed in a freeway accident early this morning.

Lesley’s passion for life, her love for the whole of us she held so dear and the encouragement she showered on each of us will forever remain.



Details of a remembrance are being worked out. Please let me know if you wish additional information.



Qathryn Brehm

Sunday, April 05, 2009

Is Anyone Home At The Los Angeles Times? UPDATE! Over 24 HOURS Late - LAT Finally Posts The Rest Of The Story!

Liberals & Limbaugh
When this glitch first appeared on the Los Angels Times website - at least 24 hours ago - I was tempted to mention it - but didn't call it out since I assumed it would be shortly fixed. Well, now it's Sunday - and it's still not fixed. The below article is a challenge to four 'liberals' to listen to Rush Limbaugh - which I have to admit, I never have - and it then asked for their response.

And as you can see by the blank white space at the bottom of their proposal - evidently- not a one of them had a single word to say....


April 5, 2009

Last week in these pages, Andrew Klavan, a conservative who writes for the Manhattan Institute's City Journal, addressed himself to liberals, insisting that "whatever you claim, you still haven't listened to Rush Limbaugh."

He concluded with a proposal: "I am throwing down my gauntlet at your quivering liberal feet. I hereby issue my challenge -- the Limbaugh Challenge: Listen to the show. ... Ask yourself: What's he getting at? Why does he say the things he says? Why do so many people of goodwill -- like that nice Mr. Klavan -- agree with him?"

We asked four local liberals to take that challenge, and one fallacy in Klavan's argument quickly became clear: They all had already listened extensively to Limbaugh.

Here's what they concluded from the experience:





Yes, for 24 hours now there is not a single word there which means that for 24 no one at the LAT seems to have bothered to read the article on-line and notice that.

UPDATE - OK - after I finally called in the error to the weekend staff - it at last go fixed. But it was still the ultimate non-story that wasn't worth reading in the first place.

Saturday, April 04, 2009

New Downtown Ed Hardy Store Has Sneak Preview Sale!

The new Ed Hardy Store at 433 S. Spring - which is scheduled to open in about a week - is having an unadvertised two day only end of season warehouse sale from 10 - 6 this Saturday and Sunday. 25 item per person maximum.